Panasonic Lumix DC-S1H Mirrorless Digital Camera Cine Kit

Price:

$2,586.10 (US Dollar)

SKU:

194522341

Brand:

Panasonic

Condition:

New

Availability:

In Stock

Shipping:

Calculated at checkout

Product Description

24.2MP Full-Frame CMOS Sensor and Venus Engine

Featuring a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.

Video Recording

Optimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.
Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Optimizing your recording for post-production color adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.
With the Version 2.0 firmware update, raw output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps is possible when used in conjunction with a compatible Atomos recorder, such as the Ninja V.
Simultaneous internal recording and external recording via HDMI is possible: DCI/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI/UHD 4K is possible at 29.97p/23.98p with 4:2:2 10-bit output and internal recording.
Variable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI/UHD 4K at 59.94p.
In-camera time lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.
Suitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.
An SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.
Color bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.

Body Design

Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics.
An impressive Real View Finder is a high-resolution 5.76m-dot OLED EVF offering a clear 0.78x configurable viewing magnification along with a smooth 60 fps or 120 fps changeable refresh rate, 0.005 sec lag, and 10,000:1 contrast ratio.
Large 3.2" 2.33m-dot touchscreen LCD is a bright, clear, and intuitive means for live view shooting as well as playback and menu navigation. The screen features a unique tilt & free-angle design where it can tilt along the lens axis or can be flipped outward to the side and freely adjusted to suit working from more extreme high and low angles. Live View Boost is a dedicated viewing mode for working in low-light conditions, where the viewing sensitivity can be increased to aid in composing your image, and a Night Mode also benefits working in dark conditions by lowering the screen's backlight intensity and overlaying a red filter to better preserve night-adjusted vision.
In addition to the rear LCD, a top 1.8" 303 x 230-dot status LCD can also be used for quickly reviewing shooting settings, even when the camera is powered off. Additionally, an enhanced graphical user interface can be optimized for video applications and include exposure settings such as shutter angle or shutter speed and ISO or gain, depending on application.
Internal heat-dissipating fan helps prevent overheating and enables unlimited video recording times. The fan can be set to Auto 1, where the fan is initiated once a temperature rise is detected; Auto 2, where the fan is kept off for as long as possible to prioritize silence; Normal; and Slow.
Durable, weather-sealed magnesium alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments.
Front and rear tally lamps can be used to visually indicate recording and standby settings for faster visual recognition by subjects and camera operators.
Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes.
Dual UHS-II-compatible SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone jacks suit advanced audio recording needs, and a PC sync port can be used for wired flash synchronization.
PC flash sync terminal doubles as a TC in/out socket and an included BNC conversion enables syncing time code settings with an external device for multi-camera setups.
Optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.
DMW-BLJ31 rechargeable lithium-ion battery is rated for approximately 400 shots per charge when working with the rear monitor, 380 shots per charge with the EVF, and 1150 shots per charge when Power Save LVF mode is on.
High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.

5-Axis Sensor-Shift Image Stabilization

Helping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.

DFD Autofocus System

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

6K and 4K PHOTO

Utilizing the S1H's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate:

Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame.

Bluetooth and Wi-Fi

Bluetooth Low Energy (4.2) provides constant connection between your smartphone or tablet and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring.

Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring.

Other Camera Features

By using sensor-shift stabilization technology, the S1H features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats.
I.S. Status Scope helps to recognize the type of camera shake being caused by displaying an arrow in the viewfinder or on the rear LCD.
Flicker Decrease automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out.
Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint.
Lumix Tether enables wired, tethered shooting capabilities via USB connection between the camera and a computer. Aside from offering a larger live view preview, this application also permits remotely triggering the shutter, use of 6K and 4K Photo modes, and video recording start/stop.
Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style.

UPC: 885170364646

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
Avid DNx compatibility enables wide camera and editing software compatibility

Bright 5" Display with AtomHDR

Display ten+ stops of dynamic range of your camera's log image with AtomHDR
1920 x 1080 display with 1000cd/m² brightness for daylight viewing
10-bit color processing and user calibration
Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
SDI Raw activation key
AtomX SYNC for wirelessly synced, timecoded multicamera capture
Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

Note:

SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

ARRI Log C
Canon C-Log, C-Log 2
FUJIFILM F-Log
JVC J-Log
Nikon N-Log
Panasonic V-Log
RED LogFilm
Sony SLog2, SLog3

HDR Recording (Gamut)

ARRI Log CEI160, CEI200, CEI250, CEI320,
ARRI LogCEI400, CEI500, CEI640, CEI800
ARRI LogCEI1000, CEI1280, CEI1600
Canon C-Log, C-Log 2, C-Log3
FUJIFILM F-Log
HLG
JVC J-Log1
Nikon N-Log PQ10K
Panasonic V-Log
RED LogFilm, RG310, RG312
Sony SLog2, SLog3

HDR Monitoring (Gamma)

ARRI ALEXA Wide Gamut
BT.2020
Canon Cinema, DCI P3, DCI P3+, BT2020
JVC LS300
Nikon N-Log PQ10K
Panasonic V-Gamut
Rec.709
RED DRAGONcolor, DRAGONcolor2
REDcolor2, REDcolor3, REDcolor4
REDWideGamut
Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
Sony SLog2, SLog3

HDR Monitoring (Gamut)

ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
BT.2020
Canon Cinema
DCI-P3, DCI-P3+
Panasonic V-Gamut
Rec.709
RED DRAGONcolor, DRAGONcolor2
REDcolor2, REDcolor3, REDcolor4
REDWideGamut
Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Firmware Update 10.61

Time-Lapse

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

Number of frames/seconds captured
Intervals between frames/seconds/minutes/hours
Duration of sequence in frames/seconds/minutes/hours

Compatibility Mode for HDMI and SDI Inputs

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:

Z CAM
Canon EOS 1D X Mk II on 4Kp50/60 video

Monitior Leica L-Log Gamma in BT2020 Gamut

Supports Leica SL 25 only
Support for other models available in future updates

UPC: 814164021074

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (39")

The 39" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

Anamorphic De-Squeeze

High Resolution at 4Kp60

Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.

HDR Compatibility

Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.

Hyper-Thin Cable

With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.

Ideal for a Variety of Devices

The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, Arri, Pico projectors, and Z Cam.

UPC: 743815949651

Elvid Heavy Duty Camera Shoe Mount Adapter with Ball Head for Monitors

Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.

Note:

Due to its compact design, this ball head should not be used to support a camera.

Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications

Single locking knob for safe and fast operation

Head itself allows for 90º vertical articulation

Fits most standard shoe mounts (except for Sony flash shoe)

UPC: 847628578029

Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101

StarTech USB 3.0 to 2.5" SATA III Drive Adapter Cable (19.7")

Access internal 2.5" drives from a USB-enabled computer with the USB 3.0 to 2.5" SATA III Hard Drive Adapter Cable from StarTech. This adapter sports a SATA interface that is compatible with SATA I, II, and III-based hard drives and SSDs. On the other end, it has a typical USB type-A connector that utilizes USB 3.0 technology, which delivers speeds of up to 5 Gbps. It draws power from a USB bus-powered port. In addition, UASP enhances the transfer speeds when the adapter is connected to a UASP-enabled host controller.

USB Attached SCSI Protocol

UASP is supported in Windows 8, Mac OS X (10.8 or above), and Linux. In testing, UASP performs with a 70% faster read speed and 40% faster write speed over traditional USB 3.0 at peak performance. It also shows an 80% reduction in required processor resources.

UPC: 065030854696

Angelbird AtomX SSDmini (1TB)

This 1TB Angelbird AtomX SSDmini is custom-designed to fit into a variety of Atomos products while maintaining high data throughput rates necessary for a 4K workflow. It fits perfectly into the Atomos Ninja V, Ninja Flame, Ninja Inferno, and Shogun Inferno. An optional adapter handle enables using this SSD with the Shogun Studio, Sumo 19, and Sumo 19M.

Although 20% smaller than an average SSD, the SSDmini makes no concession to size, and it features formidable up to 560 MB/s sequential read speed with 540 MB/s sustained read speed, and up to 520 MB/s sequential write speed with 500 MB/s sustained write speed. Incorporating Stable Stream technology, you don't drop any frames. The SATA III connector enables connecting to a standard SATA III port when it is time to transfer your footage.

Supported Capture

CDNG up to 4k30p
ProRes RAW HQ 5.7K up to 30p
4k60p and 2k240p

Supported Codecs

Apple ProRes: 4k60p and 2k240p
Avid DNx: 4k60p and 2k240p
Apple ProRes RAW: 5.7k30p, 4k60p and 2k240p
CDNG: 4k30p

Performance

Up to 560 MB/s sequential read speed with 540 MB/s sustained read speed
Up to 520 MB/s sequential write speed with 500 MB/s sustained write speed

Features

Shock, temperature, X-ray, and magnetic proof
Supports the entire Atomos range of Ninja and Shogun devices, and with the use of an adapter handle, even the Sumo19, Sumo19M, and Shogun Studio

Product Specification

Lens Mount	Leica L
Camera Format	Full-Frame (1x Crop Factor)
Pixels	Actual: 25.28 Megapixel Effective: 24.2 Megapixel
Maximum Resolution	6000 x 4000
Aspect Ratio	1:1, 2:1, 3:2, 4:3, 16:9, 65:24
Sensor Type	CMOS
Sensor Size	35.6 x 23.8 mm
Image File Format	JPEG, Raw
Bit Depth	14-Bit
Image Stabilization	Sensor-Shift, 5-Axis

Exposure Control

ISO Sensitivity	Auto, 100 to 51200 (Extended: 50 to 204800)
Shutter Speed	Mechanical Shutter 1/8000 to 60 Second 0 to 30 Minute in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Second 0 to 30 Minute in Bulb Mode Electronic Shutter 1/8000 to 60 Second 0 to 60 Second in Bulb Mode 1/16000 to 1/125 Second in Movie Mode
Metering Method	Center-Weighted Average, Highlight Weighted, Multiple, Spot
Exposure Modes	Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation	-5 to +5 EV (1/3 EV Steps)
Metering Range	0 to 18 EV
White Balance	Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting	Up to 9 fps at 24.2 MP for up to 60 Frames (Raw) / 999 Frames (JPEG) Up to 30 fps at 18 MP Up to 60 fps at 8 MP
Interval Recording	Yes
Self-Timer	2/10-Second Delay

Video

Recording Modes	MOV/H.265 4:2:0 10-Bit 6K 3:2 (5952 x 3968) at 23.976p/24.00p [200 Mb/s] 5.4K 3:2 (5376 x 3584) at 25p/29.97p [200 Mb/s] 5.9K (5888 x 3312) at 23.976p/24.00p/25p/29.97p [200 Mb/s] DCI 4K (4096 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s] UHD 4K (3840 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s] 4K Anamorphic (3328 x 2496) at 47.95p/48.00p/50p [200 Mb/s] Full HD (1920 x 1080) at 47.95p/48.00p/100p/119.88p [100 to 150 Mb/s] MOV/H.264 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p [50 to 200 Mb/s] MOV/H.264 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s] 4K Anamorphic (3328 x 2496) at 23.976p/24.00p/25p/29.97p/50p [100 to 150 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s] MP4/H.265 4:2:0 10-Bit UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [72 to 100 Mb/s] MP4/H.264 4:2:0 8-Bit UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 Mb/s] Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [20 to 28 Mb/s] AVCHD 4:2:0 8-Bit Full HD (1920 x 1080) at 23.976p/50i/50p/59.94i/59.94p [17 to 28 Mb/s]
External Recording Modes	4:2:2 10-Bit DCI 4K (4096 x 2160) up to 24.00p/50p/59.94p UHD 4K (3840 x 2160) up to 24.00p/50p/59.94p
Video Encoding	NTSC/PAL
Audio Recording	Built-In Microphone (Stereo) External Microphone Input (Stereo)
Audio File Format	AAC, Dolby Digital 2ch, Linear PCM (Stereo)

Focus

Focus Type	Auto and Manual Focus
Focus Mode	Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points	Contrast Detection: 225
Autofocus Sensitivity	-6 to +20 EV

Viewfinder and Monitor

Viewfinder Type	Electronic (OLED)
Viewfinder Resolution	5,760,000 Dot
Viewfinder Eye Point	21 mm
Viewfinder Coverage	100%
Viewfinder Magnification	Approx. 0.78x
Diopter Adjustment	-4 to +2
Size	3.2"
Resolution	2,330,000 Dot
Display Type	Free-Angle Tilting Touchscreen LCD

Flash

Built-In Flash	No
Flash Modes	Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed	1/320 Second
Flash Compensation	-3 to +3 EV (1/3 EV Steps)
Dedicated Flash System	TTL
External Flash Connection	Hot Shoe, PC Terminal

Interface

Media/Memory Card Slot	Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity	USB Type-C (USB 3.1), 3.5mm Microphone, 3.5mm Headphone, HDMI A (Full Size), PC Sync Socket, 2.5mm Sub-Mini
Wireless	Bluetooth Wi-Fi
GPS	No

Environmental

Operating Temperature	14 to 104°F / -10 to 40°C
Operating Humidity	10 to 80%

Physical

Battery	1 x DMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
Dimensions (W x H x D)	5.94 x 4.5 x 4.35" / 151 x 114.2 x 110.4 mm
Weight	2.56 lb / 1164 g (Body with Battery and Memory)

Packaging Info

Package Weight	6.6 lb
Box Dimensions (LxWxH)	19 x 9.5 x 7"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display

Panel Type	IPS-Type LCD
Display Size	5.0" / 12.7 cm
Resolution	1920 x 1080
Aspect Ratio	16:9
Touchscreen	Yes
Maximum Brightness	1000 cd/m2
Bit Depth / Color Support	8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi)	423 ppi
Color Gamut	100% Rec. 709
Real-Time LUT Monitoring	SDR
Image Controls	Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra

I/O

Video	1 x HDMI Type A (HDMI 2.0) Input 1 x HDMI Type A (HDMI 2.0) Output
Embedded Audio	HDMI: 2-Channel HDMI: 8-Channel
Audio	1 x 1/8" / 3.5 mm Mic/Line Input 1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker	None
Power	1 x D-Tap Input
Other I/O	1 x LANC (2.5 mm)

Wireless

Wi-Fi

None

Format Support

Video Format	HDMI (8/10-Bit 4:2:2) DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/60/50/30/25/24 1080i: 60/50 720p: 60/50
Gamma Curve	Rec709
Video Signal Conversion	HDMI to SDI DCI 4K: 60/50/30/25/24 UHD 4K: 60/50/30/25/24 1080p: 120/100/60/50/30/25/24 1080i: 60/50 720p: 60/50

Recording

Pulldown Conversion	2:2, 3:2
Camera Trigger	HDMI
Pre-Roll Record	4K: 2 Seconds Full HD: 8 Seconds
Encoding Formats	Up to 4097 x 2160 ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit DNxHR HQ, HQX, LB, SQ 8/10-Bit
Maximum Audio Tracks	12
Metadata Tagging	10

Power

DC Input Power	6.2 to 16.8 VDC
Battery Type	1 x L-Series
Power Consumption	10 W (Typical) 22 W (Maximum)

Mounting

2 x 3/8"-16 Female

Environmental

Operating Temperature

104°F / 40°C

General

Material of Construction	Aluminum, Polycarbonate
Dimensions	5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight	12.7 oz / 360 g
Warranty Length	Limited 1-Year Warranty

Packaging Info

Package Weight	2.385 lb
Box Dimensions (LxWxH)	7.85 x 5.8 x 4.15"

ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable With Ethernet (39") Specs

General

Connector 1	1 x HDMI Male
Connector 2	1 x HDMI Male
Cable Length	39" / 99.06 cm
HDMI Version	2.0
HDCP Support	Version 2.2
Outer Diameter	0.138" / 3.5 mm
Weight	1.06 oz / 30 g