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Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera Body with 12-60mm Lens and Accessories Kit

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Price:
$1,537.25 (US Dollar)
SKU:
194515475
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New
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Product Description

10.28MP Digital Live MOS Sensor and Venus Engine

Engineered specifically for low-light shooting and high-resolution video recording, a 10.28MP Digital Live MOS sensor is featured, along with an optimized Venus Engine for clean color detail and texture along with fast readout speeds. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and detail as well as accuracy in a variety of lighting conditions.

The sensor features a multi aspect ratio design, which enables the use of 4:3, 17:9, 16:9, and 3:2 ratios for shooting stills, recording DCI and UHD 4K, and for working in Anamorphic mode. This unique design allows you to maintain a lens's native angle of view despite changing the image format. Additionally, the sensor and processor combination avails high readout speeds and suppresses rolling shutter distortion by approximately 1.3x compared to the GH5 when recording video or working with the electronic shutter.

The sensor's deliberately low-resolution design, and subsequently larger pixel size, also optimizes it for low-light performance and enables recording a greater dynamic range. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO technology is used that sets ISO 400 and ISO 2500 as base sensitivities for low noise levels. The overall native sensitivity range runs from ISO 160-51200, and can be extended to ISO 80-204800.

DCI and UHD 4K Video Recording

Specifically geared for video shooting, the GH5S features a versatile and capable range of video specs, including the ability to internally record DCI 4K at up to 60 fps and 150 Mbps with 4:2:0 8-bit Long GOP; 30 fps and 150 Mbps with 4:2:2 10-bit Long GOP; and 24 fps and 400 Mbps with 4:2:2 10-bit ALL-I. UHD 4K recording is also supported along with Full HD at up to 240 fps for slow-motion playback. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders.

Optimizing your recording for post-production color adjustment, the GH5S features a pair of gamma settings suited to capturing a wide dynamic range. V-Log L has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Also, users will have access to overcranking and undercranking Variable Frame Rate settings which provide speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (240 fps). Also, a 4K Anamorphic mode is available, which will let you record in a proper 4:3 ratio for adjustment in post-production.

For greater recording versatility, the recording system frequency can be changed between 59.94 Hz (NTSC), 50.00 Hz (PAL), or 24.00 Hz (Cine) for worldwide use, and there is no recording duration limit for all settings. Three separate video control panels can also be used—shutter duration/ISO, shutter angle/ISO, or shutter duration/dB—to match various worldwide production needs.

The GH5S is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are the included BNC conversion cable for syncing time code settings with an external device for multi-camera setups; LINE input support via the 3.5mm mic input for using an external audio device; and the optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.

Stills Recording and Depth-From-Defocus AF System

Beyond just a video camera, the GH5S is also adept at recording stills. Using the unique sensor architecture, the low-light capabilities and fast readout speeds make it ideal for working in difficult lighting conditions and for photographing fast-moving subjects. For 12-bit raw shooting, and when working with AF-S, continuous shooting up to 12 fps is possible, along with a top 8 fps shooting rate with AF-C. For greater color information, a 14-bit raw recording setting can also be used, and 11 fps and 7 fps continuous shooting rates are available.

For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -5 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.

4K PHOTO Modes

Utilizing the GH5S's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame.

Body Design and Built-In Wi-Fi

  • A large OLED Live View Finder has an impressive 3.68m-dot resolution and 0.76x magnification for eye-level composition.
  • A larger means for image composition and playback, the 3.2" 1.62m-dot rear RGBW LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
  • Optimized for nighttime shooting, the viewfinder and rear screen can be tuned to benefit working in low-light conditions. A Night Mode allows you to separately reduce the brightness of the screen and finder in order to maintain your night-adjusted vision. Alternatively, brightness can be boosted by lowering the frame rate and increasing the gain in live view for working in extremely dark situation. And, for manual focusing, an MF Assist feature lets you zoom into the scene by 20x for focusing on small subjects.
  • Dual UHS-II SD card slots are present which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which recording the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
  • Constructed from magnesium alloy with die-cast front and rear frames, the GH5S features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
  • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
  • The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, as well as a dedicated exposure compensation dial.
  • Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.

Other Camera Features

  • Lumix Tether software allows you to shoot tethered to a computer via USB connection. This software enables full camera control and shooting from the computer, along with video and 4K PHOTO modes support, with the added benefit of previewing and reviewing your imagery from a larger computer monitor.
  • A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
  • Raw image files can be processed in-camera for a more streamlined post-production workflow.
  • Depending on the lens in use, the included DMW-BLF19 battery provides approximately 440 shots per charge when using the rear monitor, or 410 with the electronic viewfinder.
  • Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
  • Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.

Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens

Spanning a useful wide-angle to short telephoto range, the Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens from Panasonic is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of color fringing and distortions. The lens also makes use of a linear motor for fast, quiet, and precise autofocus performance, and the POWER Optical Image Stabilizer system helps to minimize the appearance of camera shake for sharper handheld shooting. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions.

Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-120mm equivalent focal length range.
Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and color accuracy.
Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality.

Rode VideoMic GO Camera-Mount Shotgun Microphone

Longer than Rode's VideoMicro and with a narrower pickup pattern, the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality. Like the VideoMicro, it runs on plug-in power and has no controls or switches, making it well suited for mobile journalists, vloggers, and run-and-gun shooters in a hurry.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

 

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Runs on Plug-In Power

No batteries are required to operate the VideoMic GO. Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8" thread, ensuring easy attachment to your camera or a boompole such as Rode's Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic GO has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat GO (available separately).

Connectivity Options

Expand the microphone's device compatibility with Rode accessories such as the SC4, SC7, and VXLR+ (all available separately). With either the SC4 or SC7, you can connect the VideoMic GO directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR+ adapter is the ideal solution when you want to record the VideoMic GO to a camcorder or mixer that has XLR inputs.

Watson DMW-BLF19 / BP-61 Lithium-Ion Battery Pack (7.4V, 1750mAh)

The Watson DMW-BLF19 Lithium-Ion Battery Pack works with the same cameras as the Panasonic DMW-BLF19 or Sigma BP-61. This replacement battery pack features a capacity of 1750mAh, 7.4V of output power, and 12.95 watt hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Compatible Cameras

    Panasonic
  • DMC-GH3
  • DMC-GH4
  • DMC-GH5

Product Specification

Lens Mount Micro Four Thirds
Camera Format Micro Four Thirds (2x Crop Factor)
Sensor Resolution Actual: 11.93 Megapixel
Effective: 10.28 Megapixel (3680 x 2760)
Maximum Resolution 3680 x 2760
Aspect Ratio 1:1, 3:2, 4:3, 16:9
Sensor Type MOS
Sensor Size 17.3 x 13 mm
Image File Format JPEG, Raw
Bit Depth 14-Bit
Image Stabilization None
Exposure Control
ISO Sensitivity Auto, 160 to 51200 (Extended: 80 to 204800)
Shutter Speed Electronic Front Curtain Shutter
1/8000 to 60 Seconds
1 to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second
Metering Method Center-Weighted Average, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting Up to 12 fps at 10.3 MP for up to 80 Frames (Raw) / 600 Frames (JPEG)
Up to 8 fps at 10.3 MP
Up to 7 fps at 10.3 MP
Up to 6 fps at 10.3 MP
Up to 5 fps at 10.3 MP
Up to 2 fps at 10.3 MP
Up to 60 fps at 8 MP
Interval Recording Yes
Self-Timer 2/10-Second Delay
Video
Recording Modes AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 25p/29.97p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
External Recording Modes 4:2:2 10-Bit
Video Encoding NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Dolby Digital 2ch, Linear PCM (Stereo)
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Contrast Detection: 225
Autofocus Sensitivity -5 to +18 EV
Viewfinder and Monitor
Viewfinder Type Electronic
Viewfinder Resolution 3,686,000 Dot
Viewfinder Eye Point 21 mm
Viewfinder Coverage 100%
Viewfinder Magnification Approx. 0.76x
Diopter Adjustment -4 to +3
Size 3.2"
Resolution 1,620,000 Dot
Display Type Articulating Touchscreen LCD
Flash
Built-In Flash No
Flash Modes Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed 1/250 Second
Flash Compensation -3 to +3 EV (1/3 EV Steps)
Dedicated Flash System TTL
External Flash Connection Hot Shoe, PC Terminal
Interface
Media/Memory Card Slot Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity 3.5mm Headphone, 3.5mm Microphone, 2.5mm Sub-Mini, HDMI A (Full Size), PC Sync Socket, USB Type-C (USB 3.0)
Wireless Wi-Fi
Bluetooth
GPS No
Environmental
Operating Temperature 14 to 104°F / -10 to 40°C
Operating Humidity 10 to 80%
Physical
Battery 1 x DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh
Dimensions (W x H x D) 5.5 x 3.9 x 3.4" / 138.5 x 98.1 x 87.4 mm
Weight 1.45 lb / 660 g (Body with Battery and Memory)
Packaging Info
Package Weight 3.03 lb
Box Dimensions (LxWxH) 7.75 x 6 x 5.8"

Panasonic Leica DG Vario-Elmarit 12-60mm F/2.8-4 ASPH. POWER O.I.S. Lens Specs

Focal Length 12 to 60mm (35mm Equivalent Focal Length: 24 to 120mm)
Maximum Aperture f/2.8 to 4
Minimum Aperture f/22
Lens Mount Micro Four Thirds
Format Compatibility Micro Four Thirds
Angle of View 84° to 20°
Minimum Focus Distance 7.87" / 20 cm
Maximum Magnification 0.3x
Optical Design 14 Elements in 12 Groups
Diaphragm Blades 9, Rounded
Focus Type Autofocus
Image Stabilization Yes
Filter Size 62 mm (Front)
Dimensions (ø x L) 2.69 x 3.39" / 68.4 x 86 mm
Weight 11.29 oz / 320 g
Packaging Info
Package Weight 1.22 lb
Box Dimensions (LxWxH) 7.2 x 4.55 x 4.4"

Rode VideoMic GO Camera-Mount Shotgun Microphone Specs

Microphone
Form Factor Stand/Boom Mount
Sound Field Mono
Operating Principle Line Gradient
Capsule Electret Condenser
Diaphragm 0.5" / 12.70 mm
Polar Pattern Supercardioid
Orientation End Address
Circuitry Solid-State (JFET)
Pad None
High-Pass Filter None
Tone Adjustment None
Indicators None
On-Board Controls None
Windscreen Foam (Included)
Performance
Frequency Range 100 Hz to 16 kHz
Maximum SPL 120 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection 4 dB at 60°
16 dB at 120°
12 dB at 180°
 
Sensitivity -35 dBV/Pa at 1 kHz
Dynamic Range 96 dB
Signal-to-Noise Ratio 60 dB A-Weighted
Equivalent Noise Level 34 dB A-Weighted

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