ajax-loader  Loading... Please wait...

Add to Wish List

Click the button below to add the Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera Back To School Video Kit #2 to your wish list.

Our Newsletter


Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera Back To School Video Kit #2

  • Image 1
  • Image 2
Price:
$1,726.45 (US Dollar)
SKU:
194596084
Brand:
Condition:
New
Availability:
In Stock
Shipping:
Calculated at checkout
Quantity:
Bookmark and Share


Product Description

10.28MP Digital Live MOS Sensor and Venus Engine

Engineered specifically for low-light shooting and high-resolution video recording, a 10.28MP Digital Live MOS sensor is featured, along with an optimized Venus Engine for clean color detail and texture along with fast readout speeds. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and detail as well as accuracy in a variety of lighting conditions.

The sensor features a multi aspect ratio design, which enables the use of 4:3, 17:9, 16:9, and 3:2 ratios for shooting stills, recording DCI and UHD 4K, and for working in Anamorphic mode. This unique design allows you to maintain a lens's native angle of view despite changing the image format. Additionally, the sensor and processor combination avails high readout speeds and suppresses rolling shutter distortion by approximately 1.3x compared to the GH5 when recording video or working with the electronic shutter.

The sensor's deliberately low-resolution design, and subsequently larger pixel size, also optimizes it for low-light performance and enables recording a greater dynamic range. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO technology is used that sets ISO 400 and ISO 2500 as base sensitivities for low noise levels. The overall native sensitivity range runs from ISO 160-51200, and can be extended to ISO 80-204800.

DCI and UHD 4K Video Recording

Specifically geared for video shooting, the GH5S features a versatile and capable range of video specs, including the ability to internally record DCI 4K at up to 60 fps and 150 Mbps with 4:2:0 8-bit Long GOP; 30 fps and 150 Mbps with 4:2:2 10-bit Long GOP; and 24 fps and 400 Mbps with 4:2:2 10-bit ALL-I. UHD 4K recording is also supported along with Full HD at up to 240 fps for slow-motion playback. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders.

Optimizing your recording for post-production color adjustment, the GH5S features a pair of gamma settings suited to capturing a wide dynamic range. V-Log L has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as CINELIKE V and CINELIKE D, as well as an in-camera LUT to make monitoring easier. Also, users will have access to overcranking and undercranking Variable Frame Rate settings which provide speeds up to 2.5x slower in 4K (60 fps) and 7.5x slower in Full HD (240 fps). Also, a 4K Anamorphic mode is available, which will let you record in a proper 4:3 ratio for adjustment in post-production.

For greater recording versatility, the recording system frequency can be changed between 59.94 Hz (NTSC), 50.00 Hz (PAL), or 24.00 Hz (Cine) for worldwide use, and there is no recording duration limit for all settings. Three separate video control panels can also be used—shutter duration/ISO, shutter angle/ISO, or shutter duration/dB—to match various worldwide production needs.

The GH5S is designed to be an expandable system, with multiple options available to help improve video recording capabilities. Examples of this are the included BNC conversion cable for syncing time code settings with an external device for multi-camera setups; LINE input support via the 3.5mm mic input for using an external audio device; and the optional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection. Users can also use standard microphones and headphones via the 3.5mm input and output jacks.

Stills Recording and Depth-From-Defocus AF System

Beyond just a video camera, the GH5S is also adept at recording stills. Using the unique sensor architecture, the low-light capabilities and fast readout speeds make it ideal for working in difficult lighting conditions and for photographing fast-moving subjects. For 12-bit raw shooting, and when working with AF-S, continuous shooting up to 12 fps is possible, along with a top 8 fps shooting rate with AF-C. For greater color information, a 14-bit raw recording setting can also be used, and 11 fps and 7 fps continuous shooting rates are available.

For accelerated autofocus performance, and Advanced DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.05 seconds. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. The sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -5 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.

4K PHOTO Modes

Utilizing the GH5S's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 60 or 30 fps shooting rate:
  • Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
  • Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
  • Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame.

Body Design and Built-In Wi-Fi

  • A large OLED Live View Finder has an impressive 3.68m-dot resolution and 0.76x magnification for eye-level composition.
  • A larger means for image composition and playback, the 3.2" 1.62m-dot rear RGBW LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
  • Optimized for nighttime shooting, the viewfinder and rear screen can be tuned to benefit working in low-light conditions. A Night Mode allows you to separately reduce the brightness of the screen and finder in order to maintain your night-adjusted vision. Alternatively, brightness can be boosted by lowering the frame rate and increasing the gain in live view for working in extremely dark situation. And, for manual focusing, an MF Assist feature lets you zoom into the scene by 20x for focusing on small subjects.
  • Dual UHS-II SD card slots are present which provides settings such as Relay Recording to automatically switch cards when one is full; Backup Recording, which recording the same data to both cards simultaneously; and Allocation Recording, which lets you save certain files to each card for easier organization.
  • Constructed from magnesium alloy with die-cast front and rear frames, the GH5S features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof as well as freezeproof to 14°F.
  • A joystick is available on the rear of the camera to make changing many settings easier and more intuitive, such as changing a focus point.
  • The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Multiple assignable function buttons are also available, as well as a dedicated exposure compensation dial.
  • Built-in 5 GHz Wi-Fi connectivity with NFC and Bluetooth 4.2 Low Energy allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.

Other Camera Features

  • Lumix Tether software allows you to shoot tethered to a computer via USB connection. This software enables full camera control and shooting from the computer, along with video and 4K PHOTO modes support, with the added benefit of previewing and reviewing your imagery from a larger computer monitor.
  • A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
  • Raw image files can be processed in-camera for a more streamlined post-production workflow.
  • Depending on the lens in use, the included DMW-BLF19 battery provides approximately 440 shots per charge when using the rear monitor, or 410 with the electronic viewfinder.
  • Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
  • Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.
UPC: 885170328266

Rode VideoMic GO Camera-Mount Shotgun Microphone

Longer than Rode's VideoMicro and with a narrower pickup pattern, the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality. Like the VideoMicro, it runs on plug-in power and has no controls or switches, making it well suited for mobile journalists, vloggers, and run-and-gun shooters in a hurry.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

 

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Runs on Plug-In Power

No batteries are required to operate the VideoMic GO. Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8" thread, ensuring easy attachment to your camera or a boompole such as Rode's Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic GO has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat GO (available separately).

Connectivity Options

Expand the microphone's device compatibility with Rode accessories such as the SC4, SC7, and VXLR+ (all available separately). With either the SC4 or SC7, you can connect the VideoMic GO directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR+ adapter is the ideal solution when you want to record the VideoMic GO to a camcorder or mixer that has XLR inputs.
UPC: 698813003396

Watson DMW-BLF19 / BP-61 Lithium-Ion Battery Pack (7.4V, 1750mAh)

The Watson DMW-BLF19 Lithium-Ion Battery Pack works with the same cameras as the Panasonic DMW-BLF19 or Sigma BP-61. This replacement battery pack features a capacity of 1750mAh, 7.4V of output power, and 12.95 watt hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Compatible Cameras

    Panasonic
  • DMC-GH3
  • DMC-GH4
  • DMC-GH5

  • Sigma
  • BP-61
UPC: 847628569508

Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens

A versatile zoom covering wide-angle to portrait-length perspectives, the Lumix G X Vario 12-35mm f/2.8 II ASPH. POWER O.I.S. Lens from Panasonic is designed for Micro Four Thirds cameras, where it provides a convenient 24-70mm equivalent focal length range. A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. The sophisticated optical design employs a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for sharp, clean image quality and a Nano Surface Coating has also been applied to reduce ghosting and flare. A POWER Optical Image Stabilizer minimizes the appearance of camera shake to suit handheld shooting, and this O.I.S. system is also compatible with Dual I.S. for enhanced stabilization performance. Additionally, the lens also features a durable all-metal housing that is dust, splash, and freezeproof to enable its use in harsh climates.

Standard zoom for Micro Four Thirds mirrorless cameras, this lens provides a 24-70mm equivalent focal length range.
Bright constant f/2.8 maximum aperture maintains consistent performance throughout the zoom range.
Four aspherical elements, one ultra extra-low dispersion element, and one ultra high refractive index element all contribute to minimizing chromatic and spherical aberrations and various aberrations in order to produce a high degree of clarity, sharpness, and color accuracy.
Nano Surface Coating has been applied to individual elements to reduce flare and ghosting for improved contrast and color neutrality.
POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Splash, dust, and freezeproof design benefits working in inclement weather conditions.
Rounded seven-blade diaphragm contributes to a smooth and pleasing bokeh quality.
UPC: 885170310797

Tiffen 58mm Variable Neutral Density Filter

The 58mm Variable Neutral Density Filter from Tiffen offers a unique way of maintaining total control over your depth of field as well as presenting an efficient way to create some special effects. The filter is designed with a built-in rotating ring that controls neutral density ranging from 2 - 8 stops (0.6- 2.4). The heavier the density, the slower your shutter speed will be. This longer exposure allows the shutter to remain open long enough to record the same amount of light but will also create movement within the shot. Another major benefit of this filter is the elimination of having to buy and carry around individual neutral density filters. With this one filter, you can rotate to the degree of ND you want - a real time and money saver.

Simply mount the filter on your lens, set it to "Min" density then frame and focus. Care must be taken with focusing at heavier densities to make sure focus is accurate. However, if it isn't, switch to manual focus and rotate to the desired degree of filtration.

For example, if your standard exposure without the filter is 1/500 @ f/8 and you then set the filter to "Min", you change the shutter speed to 1/125 at the same aperture - thereby losing 2 stops of speed while gaining a hint of "blur" in the image. If that's not enough filtration, continue rotating the filter until you reach the shutter speed you desire. Using the above example, you can even get down to 1/2 second @ f/8 (8 stops). It should be noted that the calibration marks on the filter ring are to be used only for reference and should not be regarded as accurate settings for specific densities.

A Neutral Density filter is used to create some unusual special effects such as capturing the "blur" of the rippling water of a waterfall or the swirling effect of city traffic. Since it allows the use of slower shutter speeds in bright light, it becomes possible to create these special effects that would normally not be possible to capture without the filter. And, since it can also help to control your depth of field, it permits you to shoot at wider apertures. Ultimately, its value is in helping to prevent bright, overly washed out images shot in bright light.

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration.

Thin Profile Ring (9mm) - The wider front filter ring helps reduce the possibility of vignetting (the darkening of corners) at wide angle and is not deep enough to accommodate a lens cap
It allows you to have continuous control over the amount of light coming through your lens in an approximate range of 2 (ND 0.6) to 8 (ND 2.4) stops

Neutral Density Filters Have Four Main Uses

To enable slow shutter speeds to be used, especially with high speed ISOs, to record movement in subjects such as waterfalls, clouds, or cars
To decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background
To decrease the effective ISO of high speed film (above ISO 400) and allow it to be used outdoors in bright situation
To allow cine and video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which could cause overexposure

ColorCore Technology

The ColorCore process allows Tiffen to control the color and density of their filters, and the characteristics of special effects filters with much greater accuracy than typical dyed-in-the-mass filters, which usually exhibit color and density variations. In this way, Tiffen can better control the various densities of their filters and thereby create more exact degrees of filtration
Tiffen, a leader in the filter industry, proudly makes its filters in the USA and backs up its products with a solid 10-year warranty
UPC: 884613012595

Sony 64GB SF-M Tough Series UHS-II SDXC Memory Card

The 64GB SF-M Tough Series UHS-II SDXC Memory Card from Sony features a storage capacity of 64GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as RAW and JPEG captures. This card is also well-suited for video capture, including 4K, Full HD, and 3D video. It can achieve maximum read speeds of up to 277 MB/s and maximum write speeds of up to 150 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.

To help facilitate card usage in almost any environment, as well as keeping your content safe, Sony has built the Tough Series with a rugged design that can withstand drops up to 16.4' / 5m, immersion in up to 16.4' / 5m of water for up to 72 hours, and is bend and dust proof, as well as able to withstand temperature extremes from -13 to 185°F. The Tough Series is also up to 18 times stronger than standard SD media (180N compared to 10N) and features a one-piece molded construction that is ribless with no write protect switch, helping to further guard against physical damage that can affect SD cards, such as a broken plastic casing, a broken data protection lock, and broken connector ribs. Should the card's data become compromised, you also benefit from the option to download File Rescue software for free to help recover deleted content.

UHS-II media achieves its speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantees minimum write speeds of 10 MB/s. When used in a UHS-I device, this card delivers read speeds of up to 95 MB/s and write speeds of up to 90 MB/s.

General Features

Tough SD Card

When you're shooting in challenging environments, this card will deliver for a wide range of professional photographers and videographers, as well as photo enthusiasts, since they're rugged enough for extreme shoots. With rock solid reliability and fast speeds, you have all the performance you need to catch the action.

More Bending Resistance

A strong resin-molded design makes this cards 18 times more resistant to bending than the SD standard.

IP68 Waterproof and Dustproof

This card can be immersed in 16.4' of water for up to 72 hours, and is also dustproof. That's total protection for shooting in almost any condition.

Shock Resistant - Withstands Drops up to 16.4'

Made from rock-solid materials in a one-piece mold, this card withstands drops of up to 16.4'

One-Piece Molded Design

With a one-piece molded design and high-durability materials, this card gives professionals and photo enthusiasts peace of mind and protection wherever their shoots take them.

Ribless, Write Protect Switchless Design

In designing this card, Sony got rid of the fragile connector ribs and write-protect switch found on conventional SD cards - parts which are easy to break and can prevent writing.

Speed You Can Rely On

Whether you're a professional photographer shooting high-resolution still images, a videographer working in 4K on a documentary, or a photo enthusiast exploring remote landscapes, this card has the speed you need to capture the action. It provides fast buffer clearing time after burst shooting and efficiently transfers content to a computer.

Rapid Write Speeds

With fast write speeds of up to 150 MB/s, this card supports longer burst shooting of high-resolution photos, as well as faster buffer memory clearing.

Fast Backup and Data Transfer

Spend more time shooting and less time transferring or backing up. With fast read speeds up to 277 MB/s, you can quickly transfer large media files to a computer.

Optimized for High-Resolution Video with V60

Sony's SF-M media supports the V60 Video Speed Class for stable 4K recordings and high-bitrate video capture. This is good for shooting all kinds of high-resolution video.

SD Scan Utility

The downloadable SD Scan Utility automatically scans your SD card's memory, keeping you informed of its condition so you can take action before its limit is reached.

File Rescue

Even when things go wrong, you can avoid disaster with downloadable File Rescue software that recovers photo and video files that have been accidentally deleted or that cannot be played back.

Product Specification

Lens Mount Micro Four Thirds
Camera Format Micro Four Thirds (2x Crop Factor)
Sensor Resolution Actual: 11.93 Megapixel
Effective: 10.28 Megapixel (3680 x 2760)
Maximum Resolution 3680 x 2760
Aspect Ratio 1:1, 3:2, 4:3, 16:9
Sensor Type MOS
Sensor Size 17.3 x 13 mm
Image File Format JPEG, Raw
Bit Depth 14-Bit
Image Stabilization None
Exposure Control
ISO Sensitivity Auto, 160 to 51200 (Extended: 80 to 204800)
Shutter Speed Electronic Front Curtain Shutter
1/8000 to 60 Seconds
1 to 30 Minutes in Bulb Mode
1/16000 to 1/24 Second in Movie Mode
Electronic Shutter
1/16000 to 1 Second
Metering Method Center-Weighted Average, Multiple, Spot
Exposure Modes Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 18 EV
White Balance Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Continuous Shooting Up to 12 fps at 10.3 MP for up to 80 Frames (Raw) / 600 Frames (JPEG)
Up to 8 fps at 10.3 MP
Up to 7 fps at 10.3 MP
Up to 6 fps at 10.3 MP
Up to 5 fps at 10.3 MP
Up to 2 fps at 10.3 MP
Up to 60 fps at 8 MP
Interval Recording Yes
Self-Timer 2/10-Second Delay
Video
Recording Modes AVCHD
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
Full HD (1920 x 1080) at 50i/59.94i [17 to 24 Mb/s]
Full HD (1920 x 1080) at 23.976p [24 Mb/s]
MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [72 Mb/s]
MOV/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
DCI 4K (4096 x 2160) at 50p/59.94p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 Mb/s]
UHD 4K (3840 x 2160) at 50p/59.94p [150 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
Full HD (1920 x 1080) at 25p/29.97p [20 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p [24 Mb/s]
Full HD (1920 x 1080) at 50p/59.94p [28 Mb/s]
MOV/MP4 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p [150 to 400 Mb/s]
DCI 4K (4096 x 2160) at 25p/29.97p [150 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s]
External Recording Modes 4:2:2 10-Bit
Video Encoding NTSC/PAL
Audio Recording Built-In Microphone (Stereo)
External Microphone Input
Audio File Format AAC, Dolby Digital 2ch, Linear PCM (Stereo)
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Flexible (AFF), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Contrast Detection: 225
Autofocus Sensitivity -5 to +18 EV
Viewfinder and Monitor
Viewfinder Type Electronic
Viewfinder Resolution 3,686,000 Dot
Viewfinder Eye Point 21 mm
Viewfinder Coverage 100%
Viewfinder Magnification Approx. 0.76x
Diopter Adjustment -4 to +3
Size 3.2"
Resolution 1,620,000 Dot
Display Type Articulating Touchscreen LCD
Flash
Built-In Flash No
Flash Modes Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
Maximum Sync Speed 1/250 Second
Flash Compensation -3 to +3 EV (1/3 EV Steps)
Dedicated Flash System TTL
External Flash Connection Hot Shoe, PC Terminal
Interface
Media/Memory Card Slot Dual Slot: SD/SDHC/SDXC (UHS-II)
Connectivity 3.5mm Headphone, 3.5mm Microphone, 2.5mm Sub-Mini, HDMI A (Full Size), PC Sync Socket, USB Type-C (USB 3.0)
Wireless Wi-Fi
Bluetooth
GPS No
Environmental
Operating Temperature 14 to 104°F / -10 to 40°C
Operating Humidity 10 to 80%
Physical
Battery 1 x DMW-BLF19 Rechargeable Lithium-Ion, 7.2 VDC, 1860 mAh
Dimensions (W x H x D) 5.5 x 3.9 x 3.4" / 138.5 x 98.1 x 87.4 mm
Weight 1.45 lb / 660 g (Body with Battery and Memory)
Packaging Info
Package Weight 3.03 lb
Box Dimensions (LxWxH) 7.75 x 6 x 5.8"

Rode VideoMic GO Camera-Mount Shotgun Microphone Specs

Microphone
Form Factor Stand/Boom Mount
Sound Field Mono
Operating Principle Line Gradient
Capsule Electret Condenser
Diaphragm 0.5" / 12.70 mm
Polar Pattern Supercardioid
Orientation End Address
Circuitry Solid-State (JFET)
Pad None
High-Pass Filter None
Tone Adjustment None
Indicators None
On-Board Controls None
Windscreen Foam (Included)
Performance
Frequency Range 100 Hz to 16 kHz
Maximum SPL 120 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection 4 dB at 60°
16 dB at 120°
12 dB at 180°
 
Sensitivity -35 dBV/Pa at 1 kHz
Dynamic Range 96 dB
Signal-to-Noise Ratio 60 dB A-Weighted
Equivalent Noise Level 34 dB A-Weighted
Connectivity
Output Connectors (Analog) 1 x 1/8" / 3.5 mm TRS
Cable Length 7.87 to 13.78" / 20 to 35 cm
Number of Conductors 2
Wireless Connectivity None
Power
Operating Voltage 2.5 V
Operating Current Consumption 330 µA (Plug-In Power)
Physical
Color Black
Mounting 3/8"-16 Female, Camera/Shoe-Mount, Shockmount (with Included Hardware)
Construction Material ABS
Dimensions ø: 3.11 x L: 6.57" / ø: 79 x L: 167 mm
Weight 2.58 oz / 73 g
Packaging Info
Package Weight 0.43 lb
Box Dimensions (LxWxH) 9.95 x 4.9 x 2.9"

Find Similar Products by Category

Write your own product review

Product Reviews

This product hasn't received any reviews yet. Be the first to review this product!

You Recently Viewed...