The Restaurant Store - Kitchen Equipment and Utensils

Built around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.

Benefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.

An updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.

Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.

A first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.

• High-resolution 5.67m-dot 0.5" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.
• Rear 3.2" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.
• Top status LCD can be used to quickly review camera and shooting settings.
• CFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.
• Both a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.
• Refined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.
• Durable, weather-sealed body design is built to handle tough working conditions and inclement weather.
• Both 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

• Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
• Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
• Avid DNx compatibility enables wide camera and editing software compatibility 

• Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
• 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
• 10-bit color processing and user calibration
• Supports custom LUTs

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

• AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
• SDI Raw activation key
• AtomX SYNC for wirelessly synced, timecoded multicamera capture
• Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

• ARRI Log C
• Canon C-Log, C-Log 2
• FUJIFILM F-Log
• JVC J-Log
• Nikon N-Log
• Panasonic V-Log
• RED LogFilm
• Sony SLog2, SLog3

• ARRI Log CEI160, CEI200, CEI250, CEI320,
• ARRI LogCEI400, CEI500, CEI640, CEI800
• ARRI LogCEI1000, CEI1280, CEI1600 
• Canon C-Log, C-Log 2, C-Log3
• FUJIFILM F-Log
• HLG
• JVC J-Log1
• Nikon N-Log PQ10K
• Panasonic V-Log
• RED LogFilm, RG310, RG312
• Sony SLog2, SLog3

• ARRI ALEXA Wide Gamut
• BT.2020
• Canon Cinema, DCI P3, DCI P3+, BT2020
• JVC LS300
• Nikon N-Log PQ10K
• Panasonic V-Gamut
• Rec.709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
• Sony SLog2, SLog3

• ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
• BT.2020
• Canon Cinema
• DCI-P3, DCI-P3+ 
• Panasonic V-Gamut
• Rec.709
• RED DRAGONcolor, DRAGONcolor2
• REDcolor2, REDcolor3, REDcolor4
• REDWideGamut
• Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

 

• Number of frames/seconds captured
• Intervals between frames/seconds/minutes/hours
• Duration of sequence in frames/seconds/minutes/hours

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:

 

• Z CAM
• Canon EOS 1D X Mk II on 4Kp50/60 video

• Supports Leica SL 25 only
• Support for other models available in future updates

Experience the ultimate image quality for your digital movies, TV shows, video games, and cinema production. This cable supports resolutions of up to 4K UHD (3840 x 2160) at 60 Hz for connecting digital cameras and video capture devices to 4K Ultra HD TVs. Unlock the latest mirrorless cameras, cinema cameras, and external video recorders for up to DCI 4K (4096 x 2160) at 60 Hz on supported devices for video professionals.

Send uncompressed video via HDMI to your external monitor or recorder to maximize your production workflow.

Immerse yourself in the most advanced color technology for unparalleled brightness, contrast, and vivid color definition. Experience movies and TV shows in stunning HDR10 with compatible UHD TVs and content. Console and computer gamers will enjoy playing games the way developers intended. Creative professionals can monitor on-set with HDR displays and external recorders to view camera log video for color grading workflows.

Just plug in your external monitor or recorder and this cable will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals, this means that you can trust this connection throughout the production.

The thinnest cable possible for 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.