If you're ready to start your filmmaking career and need a full-featured kit to shoot your first production, B&H has put together the Blackmagic Design Film/Music Video Production Starter Kit with everything you need to produce your indie film, music video, or fledgling TV series. This expansive kit includes the Blackmagic Design Pocket Cinema Camera 6K, an HDMI/Ethernet cable, the 5" Atomos Shinobi 4K HDMI/SDI Pro Monitor, an Atomos power and accessory kit, a ball head monitor mount, a shoe mount adapter, a Rokinon EF-mount cinema four-lens set, a SanDisk 128GB SDXC card, a Manfrotto aluminum tripod with 502AH tripod head, and an Azden mini-XLR compact shotgun microphone.
The Blackmagic Design Pocket Cinema Camera 6K allows you to capture up to 6K cinema-quality video with its Super35 sensor, and the HDMI cable allows you to connect the camera to your computer for offloading and live streaming. An HDMI/Ethernet cable is included to connect it to your computer. It includes a license for DaVinci Resolve Studio, is powered using an LP-E6 battery, and has an EF/EF-S lens mount. The included Rokinon lens set includes 24, 35, 50, and 85mm EF-mount cinema lenses to create a variety of shots, and they all share a T1.5 aperture and look to make changing lenses a snap.
The compact Azden shotgun microphone can mount onto your camera or rig without adding much weight, and it provides superior directional audio using phantom power from the camera. The camera can record an enormous amount of footage to the fast 128GB SDXC card that features up to 260 MB/s write speed. The 5" Atomos monitor allows you to input up to 4K video from the camera and monitor your shots on its 1920 x 1080 screen. A ball head mount and shoe adapter are included to mount it onto your camera, cage, or rig, and an accessory kit with batteries, a charger, power supply, sun hood, and case will keep your production running.
Finally, the Manfrotto aluminum tripod and fluid head combination will support the camera and its accessories weighing up to 15.4 lb. The head features a spring-loaded counterbalance, a fluid drag system, smooth pan-and-tilt operation, a pan bar, and a sliding quick release plate. Read more below about the items in this kit.
Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S–mount lenses available.
Turn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or to simply capture rich, detailed footage with your favorite EF/EF-S–mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive. The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.
The compact BMPCC 6K retains the familiar controls and menu layout of the 4K version in a minimally deeper form to accommodate the EF lens mount. Features such as ISO support up to 25,600, 13 stops of dynamic range, 1920 x 1080 monitor output, and a bright 1920 x 1080 touchscreen 5" LCD are carried through from the BMPCC 4K as well. Professional audio support includes a mini XLR input with phantom +48V power and four built-in mics. Whether you're shooting an indie film, wildlife, or fashion, the BMPCC 6K's compact form is less intrusive than larger cameras, lending itself to more intimate setups. The BMPCC 6K is fashioned from a carbon fiber polycarbonate composite that is both lightweight and durable.
Additional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K's internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve 16.1 to automatically sync your multicamera shots in post.
In addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap.
The Shinobi 5.2" 4K HDMI Monitor is a 5.2" on-camera monitor that monitors DCI 4K, UHD 4K, and HD video input. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.
Built to withstand the rigors of production, the Shinobi features a lightweight plastic chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A 12V power supply with L-series battery eliminator is included with the unit.
The 39" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.
The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.
Add a monitor to your video recording system with this aluminum Heavy Duty Camera Shoe Mount Adapter with Ball Head from Elvid. This convenient accessory mounts directly to a camera's shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.
Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread. The shoe mount itself is removable and features its own 3/8"-16 mounting screw, in case you want to use it without the ball head.
The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.
Cold shoe adapters have seemingly been around forever but enlight photo decided to take a hard look at the design to rethink and enhance it to its maximum potential with the frio Universal Locking Cold Shoe V2. First they reduced the weight by using a strong polymer. That solved inadvertent flash firing from metal on metal shorting as well.
The frio's patented DualLock system ensures that your valuable equipment is securely mounted. The patented DualThread receiver on the bottom of the frio accepts both 1/4"-20 and 3/8"-16 stand and accessory screws. There's a lanyard tip to hang your radio receiver from, too. The frio is compatible with most standard flash hot shoes on the market including Nikon's SB-900.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
The 50mm T1.5 AS UMC Cine DS Lens for Canon EF Mount from Rokinon is a fast manual focus prime lens. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The aperture control ring has also been de-clicked, which enables smooth iris pulls. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller.
The 50mm has a minimum focus distance of 1.5'. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. The filter thread diameter is 77mm.
With this 50mm lens, Rokinon introduces the DS series of cinema lenses, unifying their cine lenses in more than just name. Each of the DS branded lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. Also, each DS lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from either side of the camera.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 85mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Canon EF Mount and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 85mm lens produces a 28.3° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 3'6" from the lens. A removable lens hood provides flare protection when shooting without a matte box and the lens's threaded front accepts 72mm filter rings.
The Manfrotto MT055XPRO3 Aluminum Tripod is a three-section support that replaces the 055XPROB tripod. It has a load capacity of 19.8 lb and extends from 3.5" to 66.9". Its legs are secured by the Quick Power Locks. These updated flip locks increase the tripod's rigidity by 50%, and its load capacity by 4.4 lb over its predecessor.
A redesigned center column has a "one finger" operation, and includes an Easy Link attachment for attaching accessories such as an LED light or a reflector. The center column can be positioned horizontally, allowing for low-angle and macro photography. The upper disc where a tripod head is mounted has been redesigned as well, and now has a bull's eye bubble level that rotates 360° so you can locate it where you can see it. This allows you to level your camera on both the horizontal and vertical planes.
The Manfrotto 502AH Pro Video Head with Flat Base is an affordable yet remarkably fully featured professional head that represents an advance over the popular 501HDV, with sturdier construction and featuring Manfrotto's patented bridging technology (inherited from the 509 and 504 heads). This head is designed for executing cinematic moves with compact camcorders and DSLR cameras. The 502AH comes in two versions—the "AH" flat base version with 3/8"-16 mounting hole such as this one, and the "A" ball base version which is separately available.
The weight capacity is 15.4 lb and the counterbalance supports 8.8 lb. The balance plate's 3.27" range allows you to correct for uneven payloads due to matte boxes or DSLR rig configurations.
The bridging technology ensures that the pan friction control is intuitive and easy to set but is also protected against knocks. There are independent locks for pan and tilt, and drag for both is selectable in a continuous range from zero to the maximum level. This allows you to operate the head in a confident, smooth manner using the included pan bar.
The Azden SGM-250MX is a short shotgun microphone that features a shockmount for easy camera mounting and a hardwired 13" output cable with a mini-XLR connector for use with Blackmagic Pocket Cinema cameras. It plugs into the balanced mini-xlr audio input of the Pocket Cinema, which delivers phantom power and offers superior audio quality with less noise than the camera's 3.5mm audio input. Specifically tuned to preserve the natural qualities of a speaking subject, the mic provides video creators with a cost-effective solution for TV, documentary, and film applications.
The SGM-250MX features a supercardioid polar pattern and a custom-designed acoustic tube with high-precision, phase-canceling slots that minimize the recording of extraneous noise while focusing on the sound in front of the camera. The highly sensitive capsule delivers a flat frequency response (20 Hz to 20 kHz) with low self-noise and 130 dB SPL, for accurate audio capture.
Handcrafted in Japan, the SGM-250MX is housed in a brass/aluminum alloy case that improves durability and rejects ambient radio frequencies (RF). The SMH-X shockmount with two diameter expander sheets provides a secure hold for your mic, whether you run-and-gun or mount it to a pistol grip or to a boompole.
SGM-250P
SGM-250CX
Sensor Size | 23.1 x 12.99 mm (Super35) |
Sensor Type | CMOS |
Sensor Resolution | Effective: 21.2 Megapixel (6144 x 3456) |
Shutter Type | Rolling Shutter |
ISO | 100 to 25,600 (Expanded) |
Advertised Dynamic Range | 13 Stops |
Lens Mount | Canon EF |
Lens Communication | Yes |
Built-In ND Filter | None |
Built-In Microphone Type | Stereo |
Variable Frame Rates | Up to 120 fps |
Raw Recording | Raw: 6144 x 3456 at 23.98/24/25/29.97/30/50 fps (49 to 483 MB/s) 6144 x 2560 at 23.98/24/25/29.97/30/50/59.94/60 fps (37 to 359 MB/s) 5744 x 3024 at 23.98/24/25/29.97/50/59.94/60 fps (40 to 395 MB/s) |
Recording Modes | ProRes 422HQ: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (24.25 to 117.88 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (22.4 to 110 Mb/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (27.5 MB/s) ProRes 422: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (78.63 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (73.6 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (18.4 MB/s) ProRes 422LT: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (54.63 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (51 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (12.75 MB/s) ProRes 422 Proxy: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (24.25 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (22.4 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (5.6 MB/s) |
Video Output | 4:2:2 10-Bit via HDMI: 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60 fps |
Raw Output | USB: 6144 x 3456 at 23.98/24/25/29.97/30/50 fps 6144 x 2560 at 23.98/24/25/29.97/30/50/59.94/60 fps 5744 x 3024 at 23.98/24/25/29.97/30/50/59.94/60 fps |
Video Connectors | 1 x HDMI Output |
Audio Connectors | 1 x Mini XLR Mic/Line Level (+48 V Phantom Power) Input 1 x 1/8" / 3.5 mm Stereo Mic/Line Level Input 1 x 1/8" / 3.5 mm Stereo Headphone Output |
Other I/O | 1 x USB Type-C Video Output 1 x 3.5 mm Timecode Input (Shared with 3.5 mm Mic/Line input) |
Wireless Interfaces | Bluetooth Control |
Display Type | Fixed Touchscreen LCD |
Size | 5" |
Resolution | 1920 x 1080 |
EVF | Optional, Not Included |
Battery Type | Canon LP-E6 |
Power Connectors | 1 x Weipu SF610/S2 Input |
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 113°F / -20 to 45°C |
Operating Humidity | 0 to 90% |
Accessory Mount | 1 x 1/4"-20 Female |
Tripod Mounting Thread | 1/4"-20 Female |
Material of Construction | Carbon Fiber |
Dimensions | 7 x 4 x 3.8" / 177.8 x 101.6 x 96.52 mm |
Weight | 1.98 lb / 898 g |
Package Weight | 3.8 lb |
Box Dimensions (LxWxH) | 10.8 x 7.4 x 6.9" |
Panel Type | IPS-Type LCD |
Display Size | 5.2" / 13.2 cm |
Aspect Ratio | 16:9 |
Touchscreen | Yes |
Maximum Brightness | 1000 cd/m2 |
Bit Depth / Color Support | 10-Bit (1.07 Billion Colors) |
Pixels Per Inch (ppi) | 427 ppi |
Color Gamut | 100% Rec. 709 |
Real-Time LUT Monitoring | SDR |
Image Controls | Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Histogram, Pixel-to-Pixel Zoom, RGB Parade, Screen Markers, Vectorscope, Waveform, Zebra |
Wi-Fi | None |
Video | 1 x HDMI Type A (HDMI 1.4) Input |
Embedded Audio | HDMI: 2-Channel |
Audio | 1 x 1/8" / 3.5 mm Headphone Output |
Built-In Speaker | None |
Other I/O | None |
Video Format | HDMI (8/10-Bit 4:2:2) DCI 4K: 29.97/25/24/23.98 UHD 4K: 29.97/25/24/23.98 1080p: 59.94/50/29.97/25/24/23.98 720p: 59.94/50 |
Gamma Curve | ARRI Log C, Canon Log, Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, JVC J-Log, Panasonic V-Log, REDlogFilm, Rec2020, Rec709, Sony S-Log 2, Sony S-Log 3 |
Battery Type | 1 x L-Series |
Power Consumption | 4 W (Typical) 7 W (Maximum) |
Mounting | 2 x 1/4"-20 Female |
Operating Temperature | 104°F / 40°C (Recommended) |
Material of Construction | Polycarbonate |
Dimensions | 5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm |
Weight | 6.91 oz / 196 g |
Warranty Length | Limited 1-Year Warranty |
Package Weight | 1.5 lb |
Box Dimensions (LxWxH) | 10.4 x 9.4 x 5.3" |
Connector 1 | 1 x HDMI Male |
Connector 2 | 1 x HDMI Male |
Cable Length | 39" / 99.06 cm |
HDMI Version | 2.0 |
HDCP Support | Version 2.2 |
Outer Diameter | 0.138" / 3.5 mm |
Weight | 1.06 oz / 30 g |
Maximum Resolution Support | 4096 x 2160 at 60 Hz |
Bandwidth | 18 Gbps |
Compliance | HDCP |
Warranty Length | Limited 3-Year Warranty |
Package Weight | 0.25 lb |
Box Dimensions (LxWxH) | 5.7 x 2.9 x 1.6" |
Bottom Mount | 1 x 3/8"-16 Female 1 x Accessory Foot |
Top Mount | 1 x 1/4"-20 Male |
Load Capacity | 15 lb / 6.8 kg |
Material | Aluminum |
Weight | 0.3 lb / 136 g |
Package Weight | 0.315 lb |
Box Dimensions (LxWxH) | 3.95 x 3.8 x 1.55" |
Mount / Series Type | Sony L-Series |
Chemistry | Lithium-Ion |
Amp-Hours | 5200 mAh |
Package Weight | 1.865 lb |
Box Dimensions (LxWxH) | 6.9 x 4.4 x 3.8" |
Bottom Mount | 1 x 1/4"-20 Female 1 x 3/8"-16 Female |
Top Mount | 1 x Accessory Shoe |
Material | Plastic |
Package Weight | 0.035 lb |
Box Dimensions (LxWxH) | 3.95 x 2.35 x 1.4" |
Focal Length | 24mm |
Lens Mount | Canon EF |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 61.8° Full Frame: 84.1° |
Minimum Focus Distance | From : 9.8" / 25 cm |
Optical Design | 13 Elements in 12 Groups |
Iris Blades | 8 |
Dimensions (W x H) | 3.27 x 3.27" / 83.1 x 83.1 mm |
Length | 3.84" / 97.5 mm |
Weight | 21.7 oz / 615 g |
Package Weight | 1.75 lb |
Box Dimensions (LxWxH) | 7.2 x 5.2 x 5.2" |
Focal Length | 35mm |
Lens Mount | Canon EF |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 40.8° Full Frame: 63.1° |
Minimum Focus Distance | From : 12" / 31 cm |
Optical Design | 12 Elements in 10 Groups |
Iris Blades | 8 |
Length | 4.38" / 111.5 mm |
Weight | 24.7 oz / 700 g |
Package Weight | 2 lb |
Box Dimensions (LxWxH) | 7.6 x 5.2 x 5.1" |
Focal Length | 50mm |
Lens Mount | Canon EF |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Full Frame: 46.2° |
Minimum Focus Distance | From : 1.5' / 0.45 m |
Optical Design | 9 Elements in 6 Groups |
Iris Blades | 8 |
Gear MOD & Pitch | Focus: 0.8 MOD / 32 Pitch Iris: 0.8 MOD / 32 Pitch |
Filter Thread | 77 mm |
Dimensions (W x H) | 3.2 x 3.2" / 81.3 x 81.3 mm |
Length | 2.9" / 74.7 mm |
Weight | 20.3 oz / 575 g |
Package Weight | 1.65 lb |
Box Dimensions (LxWxH) | 6.2 x 5.2 x 5.1" |
Focal Length | 85mm |
Lens Mount | Canon EF |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 17.7° Full Frame: 28.3° |
Minimum Focus Distance | From : 42" / 106.7 cm |
Optical Design | 9 Elements in 7 Groups |
Iris Blades | 8 |
Length | 2.94" / 74.7 mm |
Weight | 20.5 oz / 580 g |
Package Weight | 1.65 lb |
Box Dimensions (LxWxH) | 6.3 x 5.2 x 5.2" |
Load Capacity | 19.8 lb / 9 kg |
Maximum Working Height | 66.9" / 169.9 cm |
Max Height without Center Column | 55.1" / 140 cm |
Minimum Working Height | 3.5" / 8.9 cm |
Folded Length | 24" / 61 cm |
Head Mount Type | 3/8"-16 Male |
Weight | 5.5 lb / 2.5 kg |
Materials | Aluminum Alloy |
Bubble Level | Yes |
Leg Lock Type | Flip Lock |
Independent Leg Spread | Yes |
Leg Sections | 3 |
Center Column Sections | 1 |
Center Column Extension Type | Rapid |
Lateral / 90-Degree Center Column | Yes |
Package Weight | 6.5 lb |
Box Dimensions (LxWxH) | 25.5 x 5.5 x 5.3" |
Balance Plate Sliding Range | 3.27" / 83 mm |
Base Mount | 3/8"-16 Female Flat Base |
Load Capacity | 15.43 lb / 7 kg |
Counter Balance | Fixed (8.8 lb / 4 kg) |
Dimensions | 5.12" / 13 cm |
Package Weight | 5.3 lb |
Box Dimensions (LxWxH) | 15.15 x 8.65 x 8.55" |
Sound Field | Mono |
Capsule | Electret Condenser |
Polar Pattern | Supercardioid |
Pad | None |
High-Pass Filter | None |
Windscreen | Foam (Included) |
Frequency Range | 20 Hz to 20 kHz |
Maximum SPL | 130 dB SPL |
Impedance | 100 Ohms |
Sensitivity | -33 dB at 1 kHz |
Dynamic Range | 112 dB |
Signal-to-Noise Ratio | 76 dB |
Output Connectors (Analog) | 1 x TA3M |
Cable Length | 12.99" / 330 mm |
Operating Voltage | 11 to 50 V |
Dimensions | ø: 0.83 x L: 6.02" / ø: 21 x L: 153 mm |
Weight | 3 oz / 85 g |
Package Weight | 0.73 lb |
Box Dimensions (LxWxH) | 10.35 x 3.8 x 2.7" |