The 12mm T3.1 ED AS IF NCS UMC Cine DS Fisheye Lens for Nikon F Mount from Rokinon is a lens optimized for digital cinematography and as such provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with follow focus accessories. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera. Aperture is measured in absolute T-stops to provide accurate and consistent exposure across lenses and color rendition is matched with other Rokinon cine lenses for consistency.
This fisheye lens provides a 180º diagonal angle of view on full-frame cameras for an ultra-wide angle, distorted perspective that is useful for architectural interiors, landscapes and creative experimentation in any application. The T3.1 maximum aperture is effective in low light situations and enables some measure of shallow depth of field control.
The lens' optical design consists of 12 lens elements arranged in 8 groups including three elements made of low dispersion ED glass and two aspherical lens elements to minimize coma and chromatic aberrations. Highly effective nano crystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting. Its internal focus system does not extend the front elements during focus and minimizes the effects of lens breathing.
Overcoming the challenges in assembling a set of lenses over time the Rokinon 14mm T3.1 Cine DS Lens for Nikon F Mount covers full-frame sensors and features a multi-layer coating process for consistent color rendition from lens to lens. It features industry standard geared focus and iris rings that share a common position with other Rokinon Cine DS lenses. This 14mm lens produces a 115.7°, ultra-wide angle-of-view when used with a full-frame sensor. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11" from the lens.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in a Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 35mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.
This 35mm lens produces a 63.1° angle-of-view when used with a full-frame sensor camera or a 35mm SLR. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 12" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.
Please note that some cameras may require that Shutter Lock be disengaged when using this lens.
Focal Length | 12mm |
Lens Mount | Nikon F |
Format | Full Frame |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 124.6° Full Frame: 180° |
Minimum Focus Distance | From : 7.9" / 20 cm |
Optical Design | 12 Elements in 8 Groups |
Iris Blades | 7 |
Filter Thread | None |
Dimensions (W x H) | 3.2 x 3.2" / 81.3 x 81.3 mm |
Length | 2.76" / 70.2 mm |
Weight | 18 oz / 510 g |
Package Weight | 1.54 lb |
Box Dimensions (LxWxH) | 6.6 x 5.2 x 5.2" |
Focal Length | 14mm |
Lens Mount | Nikon F |
Format | Full Frame |
Maximum T-Stop | T3.1 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 93.9° Full Frame: 115.7° |
Minimum Focus Distance | From : 11" / 28 cm |
Optical Design | 14 Elements in 10 Groups |
Iris Blades | 6 |
Dimensions (W x H) | 3.43 x 3.43" / 87.1 x 87.1 mm |
Length | 3.69" / 93.6 mm |
Weight | 21.3 oz / 605 g |
Package Weight | 1.65 lb |
Box Dimensions (LxWxH) | 7.1 x 5.2 x 5.1" |
Focal Length | 24mm |
Lens Mount | Nikon F |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 61.8° Full Frame: 84.1° |
Minimum Focus Distance | From : 9.8" / 25 cm |
Optical Design | 13 Elements in 12 Groups |
Iris Blades | 8 |
Dimensions (W x H) | 3.27 x 3.27" / 83.1 x 83.1 mm |
Length | 3.66" / 95 mm |
Weight | 21.2 oz / 600 g |
Package Weight | 1.7 lb |
Box Dimensions (LxWxH) | 7.1 x 5.2 x 5.2" |
Focal Length | 35mm |
Lens Mount | Nikon F |
Format | Full Frame |
Maximum T-Stop | T1.5 |
Minimum T-Stop | T22 |
Diagonal Angle of View | Super35: 43.2° Full Frame: 63.1° |
Minimum Focus Distance | From : 12" / 31 cm |
Optical Design | 12 Elements in 10 Groups |
Iris Blades | 8 |
Length | 4.29" / 109 mm |
Weight | 24.2 oz / 685 g |
Package Weight | 1.95 lb |
Box Dimensions (LxWxH) | 7.7 x 5.2 x 5.2" |