Covering short- to medium-telephoto focal lengths, the black XC 50-230mm f/4.5-6.7 OIS II from FUJIFILM is a 76-350mm-equivalent zoom suitable for working with a range of distance subjects, from portraits to sports. Its optical design includes one aspherical element and one extra-low dispersion element, which help to reduce a variety of aberrations in order to produce a high degree of sharpness, clarity, and color accuracy. A Super EBC coating has also been applied to individual elements to control flare and ghosting for increased contrast when working in strong lighting conditions. Complementing the optical design is a 3.5 stop-effective image stabilization system, which minimizes the appearance of camera shake to benefit shooting handheld. Additionally, a stepping AF motor provides fast and quiet focusing performance and a rounded seven-blade diaphragm contributes to a pleasing bokeh quality.
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 170 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
While this card has been designed for cameras that are UHS-I / V30 / U3 compatible, it may be used in devices that do not support UHS-I / V30 / U3. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-I and U1, which supports minimum write speeds of 10 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s.
As with most SanDisk cards, this memory card is shockproof, X-ray proof, waterproof, while also being able to withstand temperatures from -13 to 185°F, allowing you to take this card with you into extreme environments, such as snow, deserts, and pools. Should the card's data become compromised, you also benefit from the option to download RescuePRO Deluxe software as well as a limited lifetime warranty.
The Hunter 35 DSLR Holster Bag from Ruggard is slightly larger than the Hunter 25 and holds a DSLR (up to semi-pro size) with lens attached, face down, in shooting position. When you're ready to shoot, simply remove your camera, get the shot and replace your camera in the bag. The zippered top of the bag opens away from your body for fast access to your gear. This also serves as a security feature since no one but you will be able to see inside the bag.
The bag has a water-repellent exterior and smooth polyester lining that helps prevent scratches to the finish of your camera/lens combo. Inside, there are two removable touch fastened strips that can be configured to support your gear.
For storage, there is a front zippered organizer panel, mesh side pocket and two side loops that accept optional pouches. On the inside of the quick-release flap, there are two touch fastened memory card pockets. The bag is carried by its removable shoulder strap, top carry handle or belt loop that will leave you hands free. The zippers have yellow pull tabs that make the bag easy to use while you're wearing gloves.
The Pro 58mm 98-UVATS UV Filter is one of Chiaro’s highest-rated protective UV filters with 98% light transmission. It’s ideal for photographers of all levels who demand high-quality glass and other essential features for excellent image fidelity and construction.
To achieve 98% light transmission, Chiaro uses highly-polished optical glass, multi-coating, and additional advanced elements that improve the filter’s light transmission. A scratch-resistant coating minimizes scratching of the glass and helps assure that water, oil, dust, and fingerprints are removed with a gentle wipe. Its hard-anodized aluminum filter ring is designed to screw on and off effortlessly, and it is thin to prevent vignetting when used with wide-angle lenses. Side knurling helps assure that you’ll have a firm grip when attaching or removing your filter.
Image quality is what matters most at Chiaro. The company has tested and combined many features and essentials to achieve superior image quality and the highest light transmission. To help take the confusion out of selecting a filter, Chiaro prominently displays the light transmission levels so that you can choose the perfect filter for your lens and photo session.
This Sunpak 52mm Filter Kit includes a 52mm UV Filter and a 52mm Circular Polarizer Filter. Each filter in this kit fits a lens with 52mm front filter threads and can provide one of two enhancements to your imagery. Additionally, these filters are constructed from optical glass within an aluminum-alloy frame, which protect the front element of a lens from scratches, bumps, or impacts. A filter case that can accommodate both filters is included for storage and transport.
The Sunpak 52mm UV Filter is a general use, clear filter designed to absorb ultraviolet light and reduce the bluish cast of daylight. Aside from the reduction of unwanted blue casts, no additional coloration or contrast is created, and adjustments to exposure are not required while using this filter.
This UV filter is also useful as a general protective filter to leave on lenses at all times. Such filters help to reduce dust and moisture from reaching your front lens element and provide additional protection in case of drops or situations where scratching could occur.
The Sunpak 52mm Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The light from the sun naturally becomes partially polarized due to reflecting off electrons in air molecules, causing the light to scatter into what appears as haze. A polarizing filter arranges, and filters, this directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.
A circular polarizer only differs from a linear polarizer in that it contains a quarter wave plane in addition to the linear polarizing filter. The addition of this quarter wave plane is to circularly polarize the linearly polarized light for the use of auto focus and exposure functions. Due to how the light is broken down and filtered with a linear polarizer, auto focus and exposure accuracy become skewed during use. When the light becomes circularly polarized, it permits the use of these functions.
The Sunpak 52mm UV Filter and Sunpak 52mm Circular Polarizer Filter are both non-coated and are constructed from optical glass for clarity and color fidelity. Additionally, they each feature an aluminum-alloy filter ring for durability while remaining lightweight.
Lens Mount | FUJIFILM X |
Camera Format | APS-C (1.5x Crop Factor) |
Pixels | Effective: 26.1 Megapixel |
Maximum Resolution | 6240 x 4160 |
Aspect Ratio | 1:1, 3:2, 16:9 |
Sensor Type | CMOS |
Sensor Size | 23.5 x 15.6 mm |
Image File Format | JPEG, Raw |
Bit Depth | 14-Bit |
Image Stabilization | None |
ISO Sensitivity | Auto, 160 to 12800 (Extended: 80 to 51200) |
Shutter Speed | Mechanical Shutter 1/4000 to 900 Seconds Electronic Shutter 1/32000 to 900 Seconds Electronic Front Curtain Shutter 0 to 60 Minutes in Bulb Mode |
Metering Method | Average, Center-Weighted Average, Multi-Zone, Spot |
Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
White Balance | Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
Continuous Shooting | Up to 8 fps at 26.1 MP for up to 90 Frames (JPEG) / 18 Frames (Raw) Up to 5 fps at 26.1 MP Up to 4 fps at 26.1 MP Up to 3 fps at 26.1 MP Up to 20 fps at 26.1 MP for up to 32 Frames (JPEG) / 17 Frames (Raw) Up to 10 fps at 26.1 MP for up to 81 Frames (JPEG) / 17 Frames (Raw) Up to 30 fps at 16.6 MP for up to 26 Frames (JPEG) / 17 Frames (Raw) Up to 20 fps at 16.6 MP for up to 53 Frames (JPEG) / 17 Frames (Raw) Up to 10 fps at 16.6 MP for up to 95 Frames (JPEG) / 18 Frames (Raw) |
Interval Recording | Yes |
Self-Timer | 2/10-Second Delay |
Recording Modes | MOV/H.264 DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s] DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s] Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [100 to 200 Mb/s] Full HD (1920 x 1080) at 100p/119.88p [200 Mb/s] |
External Recording Modes | 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p Full HD (1920 x 1080) at 100p/120p |
Recording Limit | Up to 10 Minutes for DCI 4K (4096 x 2160) Up to 10 Minutes for UHD 4K (3840 x 2160) Up to 15 Minutes for DCI 2K (2048 x 1080) Up to 15 Minutes for Full HD (1920 x 1080) |
Video Encoding | NTSC/PAL |
Audio Recording | Built-In Microphone (Stereo) External Microphone Input |
Audio File Format | Linear PCM (Stereo) |
Focus Type | Auto and Manual Focus |
Focus Mode | Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S) |
Autofocus Points | Phase Detection: 425 |
Viewfinder Type | Electronic |
Viewfinder Size | 0.39" |
Viewfinder Resolution | 2,360,000 Dot |
Viewfinder Coverage | 100% |
Viewfinder Magnification | Approx. 0.62x |
Size | 3" |
Resolution | 1,040,000 Dot |
Display Type | Tilting Touchscreen LCD |
Built-In Flash | Yes |
Flash Modes | Auto, Commander, First-Curtain Sync, Hi-Speed Sync, Manual, Off, Second-Curtain Sync, Slow Sync, TTL Auto |
Guide Number | 16.4' / 5 m at ISO 100 |
Maximum Sync Speed | 1/180 Second |
Dedicated Flash System | TTL |
External Flash Connection | Hot Shoe, PC Terminal |
Media/Memory Card Slot | Single Slot: SD/SDHC/SDXC (UHS-I) |
Connectivity | 2.5mm Sub-Mini, HDMI D (Micro), PC Sync Socket, USB Type-C (USB 3.0) |
Wireless | Wi-Fi Bluetooth |
GPS | No |
Battery | 1 x NP-W126S Rechargeable Lithium-Ion, 7.2 VDC, 1260 mAh |
Dimensions (W x H x D) | 4.7 x 3.3 x 1.8" / 118.4 x 82.8 x 46.8 mm |
Weight | 13.51 oz / 383 g (Body with Battery and Memory) |
Focal Length | 15 to 45mm (35mm Equivalent Focal Length: 23 to 69mm) |
Maximum Aperture | f/3.5 to 5.6 |
Minimum Aperture | f/22 |
Angle of View | 86.9° to 35° |
Maximum Magnification | 0.24x |
Minimum Focus Distance | 5.12" / 13 cm |
Optical Design | 10 Elements in 9 Groups |
Diaphragm Blades | 7, Rounded |
Focus Type | Autofocus |
Image Stabilization | Yes |
Filter Size | 52 mm (Front) |
Dimensions (ø x L) | 2.5 x 1.7" / 62.6 x 44.2 mm |
Weight | 4.76 oz / 135 g |