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Canon EOS 5D Mark IV DSLR Camera with Canon Log and Monitor Kit

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Price:
$1,938.75 (US Dollar)
SKU:
19454865
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New
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Product Description

Key Features
  • Pre-Installed Canon Log Gamma
  • Shotgun Microphone
  • Atomos Ninja V 5" 4K Recording Monitor
  • Monitor Ball Head
  • Monitor Power Kit
  • HDMI Cable

 

Configured for the aspiring filmmaker, the Canon EOS 5D Mark IV DSLR Camera with Canon Log and Monitor Kit from B&H bundles the full-frame DSLR camera body with pre-installed Canon Log gamma with a shotgun microphone, an Atomos Ninja V 5" 4K HDMI recording monitor, power kit, ball head mount for the monitor, and an HDMI cable.

Canon EOS 5D Mark IV DSLR Camera with Canon Log

Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. Appealing to filmmakers is Canon Log, which is offered pre-installed on this model. This gamma setting helps users capture images with an expanded dynamic range of 800%, or 12 stops. Also, it provides latitude for working with the footage in post-production during color grading. Along with this function is a View Assist setting, which helps users see a more accurate representation of the footage when viewing on the rear LCD or an external display.

This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.

In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.

Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand-new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.

The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor

In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.

Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.

High Density Reticular AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

DCI 4K Video Recording and Canon Log Gamma

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1-pixel sampling ratio, while Full HD recording makes use of the entire full frame.

This version of the 5D offers Canon Log pre-installed, allowing users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera's LCD. Canon does provide LUTs to make post-production easier with options for Canon Log 10 to Wide DR that converts the footage to Wide Dynamic Range Gamma or Canon Log 10 to ITU-R BT.709, which converts the image to a more conventional Rec. 709 color space.

Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

Dual Pixel RAW

First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.

Body Design

  • A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
  • A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
  • Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
  • An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
  • A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
  • A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.

Other Camera Features

  • A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
  • Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
  • A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
  • Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
UPC: 660685172982

Vello Multi-Function Ball Head with Removable Bottom Shoe Mount

The Multi-Function Ball Head with Removable Bottom Shoe Mount from Vello can mount directly to a DSLR shoe mount, and allows for the attachment of a full array of video accessories. Specifically meant to attach monitors or small lights to your camcorder or camera while shooting video, this ball head has a single locking knob for fast and safe operation, and is easily removable.

Accessories attach via the 1/4"-20 screw thread on top, and the bottom features a removable shoe mount and a 3/8" thread with a supplied 1/4"-20 bushing. The head itself allows for 90º vertical articulation.

Removeable shoe mount on bottom and 1/4"-20 screw on top allows for multiple applications
Single locking knob for safe and fast operation
Fits most standard shoe mounts (except for Sony/Minolta type flash shoe)
UPC: 847628539303

Rode VideoMic GO Camera-Mount Shotgun Microphone

Longer than Rode's VideoMicro and with a narrower pickup pattern, the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality. Like the VideoMicro, it runs on plug-in power and has no controls or switches, making it well suited for mobile journalists, vloggers, and run-and-gun shooters in a hurry.

This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.

Shotgun Mic with Directional Sound Pickup

Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.

Easy Hookup to Camera

A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.

Runs on Plug-In Power

No batteries are required to operate the VideoMic GO. Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.

Integrated Shockmount Inhibits Vibrations

Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8" thread, ensuring easy attachment to your camera or a boompole such as Rode's Micro Boompole (available separately).

Windscreen Minimizes Wind Noise

The VideoMic GO has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat GO (available separately).

Connectivity Options

Expand the microphone's device compatibility with Rode accessories such as the SC4, SC7, and VXLR+ (all available separately). With either the SC4 or SC7, you can connect the VideoMic GO directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR+ adapter is the ideal solution when you want to record the VideoMic GO to a camcorder or mixer that has XLR inputs.
UPC: 698813003396

Atomos Ninja V 5" 4K HDMI Recording Monitor

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V's capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5" Daylight Viewable Screen

The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

  • Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
  • Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
  • Avid DNx compatibility enables wide camera and editing software compatibility 

Bright 5" Display with AtomHDR

  • Display ten+ stops of dynamic range of your camera's log image with AtomHDR 
  • 1920 x 1080 display with 1000cd/m² brightness for daylight viewing
  • 10-bit color processing and user calibration
  • Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

  • AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
  • SDI Raw activation key
  • AtomX SYNC for wirelessly synced, timecoded multicamera capture
  • Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60
Note:
SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

  • ARRI Log C
  • Canon C-Log, C-Log 2
  • FUJIFILM F-Log
  • JVC J-Log
  • Nikon N-Log
  • Panasonic V-Log
  • RED LogFilm
  • Sony SLog2, SLog3

HDR Recording (Gamut)

  • ARRI Log CEI160, CEI200, CEI250, CEI320,
  • ARRI LogCEI400, CEI500, CEI640, CEI800
  • ARRI LogCEI1000, CEI1280, CEI1600 
  • Canon C-Log, C-Log 2, C-Log3
  • FUJIFILM F-Log
  • HLG
  • JVC J-Log1
  • Nikon N-Log PQ10K
  • Panasonic V-Log
  • RED LogFilm, RG310, RG312
  • Sony SLog2, SLog3

HDR Monitoring (Gamma)

  • ARRI ALEXA Wide Gamut
  • BT.2020
  • Canon Cinema, DCI P3, DCI P3+, BT2020
  • JVC LS300
  • Nikon N-Log PQ10K
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
  • Sony SLog2, SLog3

HDR Monitoring (Gamut)

  • ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
  • BT.2020
  • Canon Cinema
  • DCI-P3, DCI-P3+ 
  • Panasonic V-Gamut
  • Rec.709
  • RED DRAGONcolor, DRAGONcolor2
  • REDcolor2, REDcolor3, REDcolor4
  • REDWideGamut
  • Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Firmware Update 10.61

Time-Lapse

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:
  • Number of frames/seconds captured
  • Intervals between frames/seconds/minutes/hours
  • Duration of sequence in frames/seconds/minutes/hours

Compatibility Mode for HDMI and SDI Inputs

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:
  • Z CAM
  • Canon EOS 1D X Mk II on 4Kp50/60 video

Monitior Leica L-Log Gamma in BT2020 Gamut

  • Supports Leica SL 25 only
  • Support for other models available in future updates
UPC: 814164021074

Atomos Power Kit v2

The Power Kit v2 from Atomos includes two NP-F750 5200mAh batteries, a charger, and a power supply with locking connector for Atomos monitors. The kit enables fast charging of one battery at a time.

UPC: 814164022101

ZILR 4Kp60 Hyper-Thin High-Speed HDMI to Mini-HDMI Secure Cable with Ethernet (17.7")

The 17.7" ZILR 4Kp60 Hyper-Thin High-Speed HDMI to Mini-HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features a locking 24kt gold-plated Type-A male connector and a Type-C male connector with a low profile of just 20mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

Anamorphic De-Squeeze

High Resolution at 4Kp60

Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.

HDR Compatibility

Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.

Secure Type-A Connection

Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.

Hyper-Thin Cable

With a 3.5mm diameter cable diameter, a 24mm low-profile Type-A connector, and a 20mm low-profile Type-C connector, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.

Ideal for a Variety of Devices

The cable is ideal for devices such as the 5D MKIII, EOS R, EOS RP, D850, Z6 and Z7.
UPC: 743815949729

Product Specification

Canon EOS 5D Mark IV DSLR Camera With Canon Log Specs

Imaging
Lens Mount Canon EF
Camera Format Full-Frame (1x Crop Factor)
Pixels Actual: 31.7 Megapixel
Effective: 30.4 Megapixel
Maximum Resolution 6720 x 4480
Aspect Ratio 1:1, 3:2, 4:3, 16:9
Sensor Type CMOS
Sensor Size 36 x 24 mm
Image File Format JPEG, Raw
Bit Depth 14-Bit
Image Stabilization None
Exposure Control
ISO Sensitivity Auto, 100 to 32000 (Extended: 50 to 102400)
Shutter Speed Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Bulb Mode
Metering Method Evaluative, Partial, Spot
Exposure Modes Aperture Priority, Auto, Manual, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps)
Metering Range 0 to 20 EV
White Balance Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting Up to 7 fps at 30 MP for up to 21 Frames (Raw) / Unlimited Frames
Interval Recording Yes
Self-Timer 2/10-Second Delay
Mirror Lock-Up Yes
Video
Recording Modes M-JPEG 4:2:2 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/29.97p [500 Mb/s]
MOV
Full HD (1920 x 1080) at 59.94p [180 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [90 Mb/s]
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s]
HD (1280 x 720) at 119.88p [160 Mb/s]
MP4
Full HD (1920 x 1080) at 59.94p [60 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p [30 Mb/s]
Full HD (1920 x 1080) at 29.97p [12 Mb/s]
External Recording Modes Full HD (1920 x 1080) at 59.94p
Full HD (1920 x 1080) at 23.976p/24.00p/29.97p
Full HD (1920 x 1080) at 29.97p
HD (1280 x 720) at 120p
Recording Limit Up to 29 Minutes, 59 Seconds for DCI 4K (4096 x 2160)
Video Encoding NTSC/PAL
ISO Sensitivity Auto: 100 to 32000
Audio Recording Built-In Microphone (Mono)
External Microphone Input
Audio File Format AAC, Linear PCM (Stereo)
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)
Autofocus Points Phase Detection: 61 (41 Cross-Type)
Autofocus Sensitivity -3 to +18 EV
Viewfinder and Monitor
Viewfinder Type Optical (Pentaprism)
Viewfinder Eye Point 21 mm
Viewfinder Coverage 100%
Viewfinder Magnification Approx. 0.71x
Diopter Adjustment -3 to +1
Size 3.2"
Resolution 1,620,000 Dot
Display Type Fixed Touchscreen LCD
Flash
Built-In Flash No
Maximum Sync Speed 1/200 Second
Flash Compensation -3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System eTTL
External Flash Connection Hot Shoe, PC Terminal
Interface
Media/Memory Card Slot Slot 1: SD/SDHC/SDXC (UHS-I)
Slot 2: CompactFlash (UDMA 7)
Connectivity 3.5mm Headphone, 3.5mm Microphone, Canon N3, HDMI C (Mini), USB Micro-B (USB 3.0)
Wireless Wi-Fi
GPS Yes
Environmental
Operating Temperature 32 to 104°F / 0 to 40°C
Operating Humidity 0 to 85%
Physical
Battery 1 x LP-E6N Rechargeable Lithium-Ion, 7.2 VDC, 1865 mAh
Dimensions (W x H x D) 5.9 x 4.6 x 3" / 150.7 x 116.4 x 75.9 mm
Weight 1.76 lb / 800 g (Body Only)
Packaging Info
Package Weight 4.59 lb
Box Dimensions (LxWxH) 9.8 x 7.25 x 5.75"

Vello Multi-Function Ball Head With Removable Bottom Shoe Mount Specs

Bottom Mount 2 x 1/4"-20 Female
1 x Accessory Foot
Top Mount 1 x 1/4"-20 Male
Load Capacity 4.4 lb / 2 kg
Dimensions 2.6 x 2 x 1.2" / 6.7 x 5 x 3 cm
Weight 3.8 oz / 108 g
Packaging Info
Package Weight 0.295 lb
Box Dimensions (LxWxH) 6.7 x 4.6 x 1.3"

Rode VideoMic GO Camera-Mount Shotgun Microphone Specs

Microphone
Form Factor Stand/Boom Mount
Sound Field Mono
Operating Principle Line Gradient
Capsule Electret Condenser
Diaphragm 0.5" / 12.70 mm
Polar Pattern Supercardioid
Orientation End Address
Circuitry Solid-State (JFET)
Pad None
High-Pass Filter None
Tone Adjustment None
Indicators None
On-Board Controls None
Windscreen Foam (Included)
Performance
Frequency Range 100 Hz to 16 kHz
Maximum SPL 120 dB SPL (1 kHz, 1% THD, 1-Kilohm Load)
Off-Axis Rejection 4 dB at 60°
16 dB at 120°
12 dB at 180°
 
Sensitivity -35 dBV/Pa at 1 kHz
Dynamic Range 96 dB
Signal-to-Noise Ratio 60 dB A-Weighted
Equivalent Noise Level 34 dB A-Weighted
Connectivity
Output Connectors (Analog) 1 x 1/8" / 3.5 mm TRS
Cable Length 7.87 to 13.78" / 20 to 35 cm
Number of Conductors 2
Wireless Connectivity None
Power
Operating Voltage 2.5 V
Operating Current Consumption 330 µA (Plug-In Power)
Physical
Color Black
Mounting 3/8"-16 Female, Camera/Shoe-Mount, Shockmount (with Included Hardware)
Construction Material ABS
Dimensions ø: 3.11 x L: 6.57" / ø: 79 x L: 167 mm
Weight 2.58 oz / 73 g
Packaging Info
Package Weight 0.43 lb
Box Dimensions (LxWxH) 9.95 x 4.9 x 2.9"

Atomos Ninja V 5" 4K HDMI Recording Monitor Specs

Display
Panel Type IPS-Type LCD
Display Size 5.0" / 12.7 cm
Resolution 1920 x 1080
Aspect Ratio 16:9
Touchscreen Yes
Maximum Brightness 1000 cd/m2
Bit Depth / Color Support 8-Bit+FRC (1.07 Billion Colors)
Pixels Per Inch (ppi) 423 ppi
Color Gamut 100% Rec. 709
Real-Time LUT Monitoring SDR
Image Controls Anamorphic De-Squeeze, Blue Only, False Color, Focus Peaking, Pixel Zoom, RGB Parade, Scaling, Vectorscope, Waveform, Zebra
I/O
Video 1 x HDMI Type A (HDMI 2.0) Input
1 x HDMI Type A (HDMI 2.0) Output
Embedded Audio HDMI: 2-Channel
HDMI: 8-Channel
Audio 1 x 1/8" / 3.5 mm Mic/Line Input
1 x 1/8" / 3.5 mm Headphone Output
Built-In Speaker None
Power 1 x D-Tap Input
Other I/O 1 x LANC (2.5 mm)
Wireless
Wi-Fi None
Format Support
Video Format HDMI (8/10-Bit 4:2:2)
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/60/50/30/25/24
1080i: 60/50
720p: 60/50
Gamma Curve Rec709
Video Signal Conversion HDMI to SDI
DCI 4K: 60/50/30/25/24
UHD 4K: 60/50/30/25/24
1080p: 120/100/60/50/30/25/24
1080i: 60/50
720p: 60/50
Recording
Pulldown Conversion 2:2, 3:2
Camera Trigger HDMI
Pre-Roll Record 4K: 2 Seconds
Full HD: 8 Seconds
Encoding Formats Up to 4097 x 2160
ProRes 422, HQ, LT, Raw, Raw HQ 8/10-Bit
DNxHR HQ, HQX, LB, SQ 8/10-Bit 
Maximum Audio Tracks 12
Metadata Tagging 10
Power
DC Input Power 6.2 to 16.8 VDC
Battery Type 1 x L-Series
Power Consumption 10 W (Typical)
22 W (Maximum)
Mounting
Mounting 2 x 3/8"-16 Female
Environmental
Operating Temperature 104°F / 40°C
General
Material of Construction Aluminum, Polycarbonate
Dimensions 5.9 x 3.6 x 1.2" / 151 x 91.5 x 31.5 mm
Weight 12.7 oz / 360 g
Warranty Length Limited 1-Year Warranty
Packaging Info
Package Weight 2.385 lb
Box Dimensions (LxWxH) 7.85 x 5.8 x 4.15"

Atomos Power Kit V2 Specs

Mount / Series Type Sony L-Series
Chemistry Lithium-Ion
Amp-Hours 5200 mAh
Packaging Info
Package Weight 1.865 lb
Box Dimensions (LxWxH) 6.9 x 4.4 x 3.8"

ZILR 4Kp60 Hyper-Thin High-Speed HDMI To Mini-HDMI Secure Cable With Ethernet (17.7") Specs

General
Connector 1 1 x HDMI Male
Connector 2 1 x Mini-HDMI Male
Cable Length 17.7" / 44.96 cm
HDMI Version 2.0
HDCP Support Version 2.2
Outer Diameter 0.138" / 3.5 mm
Weight 0.56 oz / 16 g
Electrical
Maximum Resolution Support 4096 x 2160 at 60 Hz
Bandwidth 18 Gbps
Compliance HDCP
Environmental
Warranty Length Limited 3-Year Warranty
Packaging Info
Package Weight 0.23 lb
Box Dimensions (LxWxH) 5.7 x 2.8 x 1.6"

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