Capture cinema-quality footage and professional audio with a compact camera and mic combination using this Pocket Cinema Camera 6K Bundle with Azden SGM-250MX Shotgun Microphone from Blackmagic Design.
The Pocket Cinema Camera 6K features a Super35-style cine sensor and can record up to 6144 x 3456 at 50 fps. The lens mount can utilize a wide range of EF and EF-S cinema lenses. The camera supports up to 25,600 ISO with 13 stops of dynamic range, it can record internally to raw format, and you can output to a monitor, switch, or recorder at up to 1920 x 1080 resolution.
The included compact Azden SGM-250MX Shotgun microphone features phantom power, a supercardioid polar pattern, and provides professional, low-noise audio capture. It features a hardwired 3-pin mini-XLR connector to connect to the BMPCC 6K camera.
Blackmagic Design ups the ante in compact cine-style capture with their Super 35 sensor Pocket Cinema Camera 6K. Not only can the BMPCC 6K record up to 50 fps 6144 x 3456 video, but in a boon to lens connoisseurs everywhere, it features an active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S–mount lenses available.
Turn to the BMPCC 6K to turn one frame into two by cropping a second shot from one frame, to upscale to 8K, or to simply capture rich, detailed footage with your favorite EF/EF-S–mount lens. The same internal color processing makes it easy to intercut BMPCC 6K with BMPCC 4K footage. Record using the internal CFast 2.0 and SD/UHS-II card slots or output via the USB-C port to capture longer clips to an external drive. The BMPCC 6K includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.
The compact BMPCC 6K retains the familiar controls and menu layout of the 4K version in a minimally deeper form to accommodate the EF lens mount. Features such as ISO support up to 25,600, 13 stops of dynamic range, 1920 x 1080 monitor output, and a bright 1920 x 1080 touchscreen 5" LCD are carried through from the BMPCC 4K as well. Professional audio support includes a mini XLR input with phantom +48V power and four built-in mics. Whether you're shooting an indie film, wildlife, or fashion, the BMPCC 6K's compact form is less intrusive than larger cameras, lending itself to more intimate setups. The BMPCC 6K is fashioned from a carbon fiber polycarbonate composite that is both lightweight and durable.
Additional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the BMPCC 6K's internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve 16.1 to automatically sync your multicamera shots in post.
In addition to the DaVinci Resolve Studio activation key, the BMPCC 6K comes with a power supply offering simultaneous battery charging, an LP-E6 battery, a lens port cap, and a camera strap.
The Azden SGM-250MX is a short shotgun microphone that features a shockmount for easy camera mounting and a hardwired 13" output cable with a mini-XLR connector for use with Blackmagic Pocket Cinema cameras. It plugs into the balanced mini-xlr audio input of the Pocket Cinema, which delivers phantom power and offers superior audio quality with less noise than the camera's 3.5mm audio input. Specifically tuned to preserve the natural qualities of a speaking subject, the mic provides video creators with a cost-effective solution for TV, documentary, and film applications.
The SGM-250MX features a supercardioid polar pattern and a custom-designed acoustic tube with high-precision, phase-canceling slots that minimize the recording of extraneous noise while focusing on the sound in front of the camera. The highly sensitive capsule delivers a flat frequency response (20 Hz to 20 kHz) with low self-noise and 130 dB SPL, for accurate audio capture.
Handcrafted in Japan, the SGM-250MX is housed in a brass/aluminum alloy case that improves durability and rejects ambient radio frequencies (RF). The SMH-X shockmount with two diameter expander sheets provides a secure hold for your mic, whether you run-and-gun or mount it to a pistol grip or to a boompole.
SGM-250P
SGM-250CX
Sensor Size | 23.1 x 12.99 mm (Super35) |
Sensor Type | CMOS |
Sensor Resolution | Effective: 21.2 Megapixel (6144 x 3456) |
Shutter Type | Rolling Shutter |
ISO | 100 to 25,600 (Expanded) |
Advertised Dynamic Range | 13 Stops |
Lens Mount | Canon EF |
Lens Communication | Yes |
Built-In ND Filter | None |
Built-In Microphone Type | Stereo |
Variable Frame Rates | Up to 120 fps |
Raw Recording | Raw: 6144 x 3456 at 23.98/24/25/29.97/30/50 fps (49 to 483 MB/s) 6144 x 2560 at 23.98/24/25/29.97/30/50/59.94/60 fps (37 to 359 MB/s) 5744 x 3024 at 23.98/24/25/29.97/50/59.94/60 fps (40 to 395 MB/s) |
Recording Modes | ProRes 422HQ: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (24.25 to 117.88 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (22.4 to 110 Mb/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (27.5 MB/s) ProRes 422: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (78.63 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (73.6 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (18.4 MB/s) ProRes 422LT: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (54.63 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (51 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (12.75 MB/s) ProRes 422 Proxy: 4096 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (24.25 MB/s) 3840 x 2160p at 23.98/24/25/29.97/30/50/59.94/60 fps (22.4 MB/s) 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60/120 fps (5.6 MB/s) |
Video Output | 4:2:2 10-Bit via HDMI: 1920 x 1080p at 23.98/24/25/29.97/30/50/59.94/60 fps |
Raw Output | USB: 6144 x 3456 at 23.98/24/25/29.97/30/50 fps 6144 x 2560 at 23.98/24/25/29.97/30/50/59.94/60 fps 5744 x 3024 at 23.98/24/25/29.97/30/50/59.94/60 fps |
Video Connectors | 1 x HDMI Output |
Audio Connectors | 1 x Mini XLR Mic/Line Level (+48 V Phantom Power) Input 1 x 1/8" / 3.5 mm Stereo Mic/Line Level Input 1 x 1/8" / 3.5 mm Stereo Headphone Output |
Other I/O | 1 x USB Type-C Video Output 1 x 3.5 mm Timecode Input (Shared with 3.5 mm Mic/Line input) |
Wireless Interfaces | Bluetooth Control |
Display Type | Fixed Touchscreen LCD |
Size | 5" |
Resolution | 1920 x 1080 |
EVF | Optional, Not Included |
Battery Type | Canon LP-E6 |
Power Connectors | 1 x Weipu SF610/S2 Input |
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 113°F / -20 to 45°C |
Operating Humidity | 0 to 90% |
Accessory Mount | 1 x 1/4"-20 Female |
Tripod Mounting Thread | 1/4"-20 Female |
Material of Construction | Carbon Fiber |
Dimensions | 7 x 4 x 3.8" / 177.8 x 101.6 x 96.52 mm |
Weight | 1.98 lb / 898 g |
Package Weight | 3.8 lb |
Box Dimensions (LxWxH) | 10.8 x 7.4 x 6.9" |
Sound Field | Mono |
Capsule | Electret Condenser |
Polar Pattern | Supercardioid |
Pad | None |
High-Pass Filter | None |
Windscreen | Foam (Included) |
Frequency Range | 20 Hz to 20 kHz |
Maximum SPL | 130 dB SPL |
Impedance | 100 Ohms |
Sensitivity | -33 dB at 1 kHz |
Dynamic Range | 112 dB |
Signal-to-Noise Ratio | 76 dB |
Output Connectors (Analog) | 1 x TA3M |
Cable Length | 12.99" / 330 mm |
Operating Voltage | 11 to 50 V |
Dimensions | ø: 0.83 x L: 6.02" / ø: 21 x L: 153 mm |
Weight | 3 oz / 85 g |
Package Weight | 0.73 lb |
Box Dimensions (LxWxH) | 10.35 x 3.8 x 2.7" |