The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use. This Premium version offers frame rates up to 200 fps, ProRes 4444 and Log C capture, Wi-Fi and Ethernet remote control, and a pre-recording buffer function. It can import custom 3D LUTs, in-camera ASC CDL grading, dynamic, auto-tracking white balance, and Bluetooth audio monitoring. Additional AMIRA Premium features include a de-noising option for 4K UHD, 6G UHD-SDI output, and a 1.3x anamorphic de-squeeze function.
Using the same 35mm CMOS sensor as in the ARRI ALEXA, the AMIRA Premium provides a 14-stop dynamic range, natural skin tones, and an EI range of 160 to 3200 with a native 800 ISO. It offers a selection of codecs to suit your project, from ProRes 4444 for feature productions, to the lower-bandwidth 422 (LT), suitable for digital broadcasting. This AMIRA set includes Premium and UHD Licenses, and the MVF-1 electronic viewfinder with mount and cables.
The versatile AMIRA records in-camera to relatively affordable CFast 2.0 cards, with an option of simultaneously capturing to the CFast cards and an external recorder. All ProRes flavors are available up to 60 fps in ProRes 4K UHD or 3.2K, with Rec. 709 and Log C functions. The included Premium License bumps the basic AMIRA's 100 fps maximum frame rate to a top speed of 200 fps, providing even greater detail for your slow-motion shots. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. A lens mount is not included with this set; choose from separately available LDS PL, PL, EF, and B4 mounts.
For greater creative control, the AMIRA Premium offers both pre-loaded LUTs and the ability to import custom-made 3D LUTs. Burn in your preferred looks, or use the LUTs for monitoring only, and choose your final look later. Peaking, zebra, false color, and dynamic auto-tracking white balance functions further enhance your image-control options.
Audio features include XLR inputs, easily accessible operator-side controls, and Bluetooth compatibility. Use the AMIRA Premium's Bluetooth functions to monitor your audio via a wireless headset, or to record editing or other commentary to a fifth audio track separate from your main sound. Additional AMIRA Premium features include a quick 13-second boot-up time, efficient cooling, and easily accessible user buttons and controls. The AMIRA Premium's innovative viewfinder unit combines an OLED EVF with a fold-out LCD, providing full camera control.
The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use. This Premium version offers frame rates up to 200 fps, ProRes 4444 and Log C capture, Wi-Fi and Ethernet remote control, and a pre-recording buffer function. It can import custom 3D LUTs, in-camera ASC CDL grading, dynamic, auto-tracking white balance, and Bluetooth audio monitoring. Additional AMIRA Premium features include a de-noising option for 4K UHD, 6G UHD-SDI output, and a 1.3x anamorphic de-squeeze function.
Using the same 35mm CMOS sensor as in the ARRI ALEXA, the AMIRA Premium provides a 14-stop dynamic range, natural skin tones, and an EI range of 160 to 3200 with a native 800 ISO. It offers a selection of codecs to suit your project, from ProRes 4444 for feature productions, to the lower-bandwidth 422 (LT), suitable for digital broadcasting. This AMIRA set includes Premium and UHD Licenses, and the MVF-1 electronic viewfinder with mount and cables.
The versatile AMIRA records in-camera to relatively affordable CFast 2.0 cards, with an option of simultaneously capturing to the CFast cards and an external recorder. All ProRes flavors are available up to 60 fps in ProRes 4K UHD or 3.2K, with Rec. 709 and Log C functions. The included Premium License bumps the basic AMIRA's 100 fps maximum frame rate to a top speed of 200 fps, providing even greater detail for your slow-motion shots. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. A lens mount is not included with this set; choose from separately available LDS PL, PL, EF, and B4 mounts.
For greater creative control, the AMIRA Premium offers both pre-loaded LUTs and the ability to import custom-made 3D LUTs. Burn in your preferred looks, or use the LUTs for monitoring only, and choose your final look later. Peaking, zebra, false color, and dynamic auto-tracking white balance functions further enhance your image-control options.
Audio features include XLR inputs, easily accessible operator-side controls, and Bluetooth compatibility. Use the AMIRA Premium's Bluetooth functions to monitor your audio via a wireless headset, or to record editing or other commentary to a fifth audio track separate from your main sound. Additional AMIRA Premium features include a quick 13-second boot-up time, efficient cooling, and easily accessible user buttons and controls. The AMIRA Premium's innovative viewfinder unit combines an OLED EVF with a fold-out LCD, providing full camera control.
Expand the lens options of your ALEXA Mini or AMIRA with the PL LDS Lens Mount from ARRI. This mount allows you to mount a PL lens to your camera and is equipped with a 12-pin Hirose connector for use with ENG-style models. When the mount is used with an ENG-style PL lens, the Hirose connection delivers power to the lens motors and supports certain functions of the lens handgrip.
Shoulder belt offers the compatible with standard ENG shoulder belts.
ARRI AMIRA branded soft carry bag. For AMIRA camera with MVF-1, camera adapter and zoom lens.
Enjoy this bracket, capable to attach an on-camera microphone to the camera handle. Features knurled fasteners.
The ARRI MRR-1 Master Grip (Right-Hand Rocker) combines handheld camera stabilization with comprehensive lens and camera control. With a form factor based on the classic ARRI handgrips, the Master Grips add flexible and responsive fingertip control for handheld shooting. Aimed at ALEXA, AMIRA, and third-party camera operators, the Master Grips can also be mounted on tripod pan handles, and on pedestal heads for controlling cameras in studio or multi-cam setups.
A pair of Master Grips provide full control of focus, iris, and zoom settings on cine-style lenses, and offer comfortable control of integrated servo motors on ENG- and EF-type lenses. Focus, iris, and zoom speeds are adjustable, and end limits can be set for easier single-user moves. Camera controls include the REC function, and access to user buttons for both ARRI and third-party cameras. A separately-available LCUBE CUB-1 is required for third-party camera control.
The ergonomic design of the Master Grips reduces strain, enabling extended handheld operating; an "eyebrow"-type shield protects against accidental triggering and doubles as a finger rest. This right-handed rocker is one of four available Master Grip options that can be combined in right- or left-handed pairs. The rocker grips enable super-smooth zooming, while the thumb wheels are suited for focusing or iris, or adjustments. An integrated touchscreen and a 5-way joystick each offer easy setup of the ARRI Master Grips.
The ARRI MLW-1 Master Grip (Left-Hand Wheel) combines handheld camera stabilization with comprehensive lens and camera control. With a form factor based on the classic ARRI handgrips, the Master Grips add flexible and responsive fingertip control for handheld shooting. Aimed at ALEXA, AMIRA, and third-party camera operators, the Master Grips can also be mounted on tripod pan handles, and on pedestal heads for controlling cameras in studio or multi-cam setups.
A pair of Master Grips provide full control of focus, iris, and zoom settings on cine-style lenses, and offer comfortable control of integrated servo motors on ENG- and EF-type lenses. Focus, iris, and zoom speeds are adjustable, and end limits can be set for easier single-user moves. Camera controls include the REC function, and access to user buttons for both ARRI and third-party cameras. A separately-available LCUBE CUB-1 is required for third-party camera control.
The ergonomic design of the Master Grips reduces strain, enabling extended handheld operating; an "eyebrow"-type shield protects against accidental triggering and doubles as a finger rest. This left-handed wheel is one of four available Master Grip options that can be combined in right- or left-handed pairs. The rocker grips enable super-smooth zooming, while the thumb wheels are suited for focusing or iris, or adjustments. An integrated touchscreen and a 5-way joystick each offer easy setup of the ARRI Master Grips.
The black, 6.3" tubular ARRI Handgrip Extension fits between an ARRI Master Grip or handgrip, and your camera or rig base. Use the extension to position the grip comfortably based on your rig configuration. This rosette-based extension is constructed from stainless steel, and is the middle length of three available versions.
The Handgrip Extension's notched rosette design ensures a stable fit, fastening with an integrated, winged screw.
Facilitates cable management around Master Grips and lens motors Clips on 15mm camera rods and Master Grips extensions.
The ARRI 15mm Reduction Insert is used to adapt a 19mm rod bracket to accept standard 15mm rods. This insert works with any 19mm rod mount.
The ARRI Master Grip Case is designed to hold a complete set of the Master Grip electronic-control components. Store and transport one right and one left Master Grip, two handgrip extensions and one extension tube, three motors, two LCUBE signal converters with brackets, and corresponding cables. This hard-shell case's custom-cut foam interior snugly cradles the Master Grip set items.
Connects LBUS devices. Includes one angled LBUS connector.
The ARRI cforce mini Motor Basic Set comprises a compact lens-control motor and accessories designed for lightweight camera configurations. Suited for gimbal, stabilizer, handheld, and drone setups, the cforce mini works directly with the ALEXA Mini camera (with PL LBUS lens mount). It may also be used with any other ARRI and third-party cameras when paired with the ARRI AMC-1 Active Motor Controller. Twin LBUS connectors enable up to three motors to be daisy-chained, providing a complete F/I/Z (focus/iris/zoom) solution.
This cforce mini basic set includes one motor, one combo clamp bracket for mounting to 15/19mm rods, and one 0.8-mod, 32-pitch, 40-tooth lens gear.
Type | 35 mm Format ARRI ALEV III CMOS |
Pixel Count | Normal: UHD 4K, 3.2K: 3200 x 1800 2K: 2868 x 1612 HD: 2880 x 1620 Surround View: UHD 4K, 3.2K: 3168 x 1772 2K: 3154 x 1764 HD: 3168 x 1772 |
Number of Recording Pixels | Pro Res 4K UHD and UHD: 3840 x 2160 ProRes 3.2K: 3200 x 1800 ProRes 2K: 2048 x 1152 ProRes HD, MPEG 2, and HD: 1920 x 1080 |
Image Aperture | UHD 4K: 1.039 x 0.585" / 26.4 x 14.85 mm 2K: 0.931 x 0.524" / 23.66 x 13.3 mm HD: 0.935 x 0.526" / 23.76 x 13.37 mm |
Image Circle | UHD 4K: 1.181" / 29.99 mm 2K: 1.069" / 27.14 mm HD: 1.073" / 27.26 mm |
Electronic Shutter | 5–356° |
Exposure Index | Adjustable from EI 160–3200 in 1/3 Stops Base Sensitivity: EI 800 |
Exposure Latitude | 14 Stops from EI 160–3200 |
Built-In Filters | Motorized NDs: 0.6, 1.2, 2.1 |
Viewfinder | MVF-1 (OLED and LCD) with Flip-Out Screen |
Control Panel | CCP-1 LCD Panel (Daisy-Chainable to MVF-1) |
Anamorphic | 1.3x Anamorphic De-Squeeze |
Recording Media | CFast 2.0 Cards |
Supported Media Card Types | ARRI 128 GB C-Fast 2.0 Memory Card B&H # ARK2.0003623 MFR # K2.0003623 ARRI 128 GB Extreme PRO C-Fast 2.0 Memory Card (3-Pack) B&H # ARCFAST3X128 MFR # K0.0019005 ARRI 256 GB Extreme PRO C-Fast 2.0 Memory Card B&H # ARCFAST256GB MFR # K2.0015640 ARRI 256 GB Extreme PRO C-Fast 2.0 Memory Card (3-Pack) B&H # ARCFAST3X256 MFR # K0.0019006 ARRI 256 GB AV Pro AR C-Fast 2.0 Memory Card (ARRI Edition) B&H # ARCFST256GB MFR # K2.0021432 ARRI 256 GB AV Pro AR C-Fast 2.0 Memory Card (ARRI Edition, 3-Pack) B&H # ARCFST3X256 MFR # K0.0021433 ARRI 512 GB Extreme PRO C-Fast 2.0 Memory Card B&H # ARCFAST512GB MFR # K2.0016648 ARRI 512 GB Extreme PRO C-Fast 2.0 Memory Card (3-Pack) B&H # ARC3X512GB MFR # K0.0019007 |
Recording Formats | UHD 4K: 3840 x 2160 3.2K ProRes: 3200 x 1800 HD: 1920 x 1080p/i |
Recording Frame Rates | UHD 4K: 0.75–60 fps 3.2K ProRes: 0.75–60 fps 2K: 0.75–200 fps (Progressive) HD: 0.75–200 fps (Progressive) MPEG-2: 29.97p / 25p / 23.98p MPEG-2: 59.94i / 50i |
Recording Codecs | With Embedded Audio and Metadata: ProRes: 4444 422 (HQ) 422 422 (LT) MPEG-2 |
Gamma | Rec 2020 Rec. 709 Log C |
Look Control | Complete Look Functions, Import Looks |
Adjustable Parameters | Knee, Gamma, Saturation, Black Gamma, Saturation by Hue ASC CDL Parameters (Slope, Offset, Power, Saturation) |
Focus and Exposure Control | Peaking, Zebra, False Color |
White Balance | Dynamic Auto Tracking White Balance Auto White Balance |
Remote Control | Wi-Fi, Ethernet |
Lens Mode | S16 Lens Mode |
Video Outputs | 2 x HD-SDI: 6G (Dual), 3G (Dual), 1.5G Uncompressed HD/UHD Video, Embedded Audio and Metadata |
Video Inputs | Genlock: BNC HD-SDI: BNC Timecode (input/output): BNC |
Audio Outputs | 3.5 mm Headphone Jack Bluetooth Audio |
Power Outputs | ENG-Type Zoom Lenses: Hirose 12-Pin 12 V Power: D-Tap, 4-Pin Hirose, 2-Pin LEMO 24 V Power: RS 3-Pin |
Additional Inputs/Outputs | USB 2.0: For Importing and Storing AMIRA Look Files, User Setup Files, Frame Line Files, and Feature License Keys Stores Captured Still Image Formats in DPX (.dpx, 10-Bit) or JPEG (.jpg, 8-Bit) format Stores Log Files Used for Installing Software Update Packets (SUP) Ethernet LAN RJ45: For Camera Remote Control |
Audio Recording | 4 Channels, 24-Bit PCM, 48 kHz |
Sound Level | |
Operating Temperature | -4 to 122°F / -20 to 50°C |
Dust and Humidity | 95% Maximum Humidity (Non-Condensing) Splashproof and Dustproof through Sealed Electronics |
Dimensions (LxWxH) | 12.2 x 5.5 x 5.9" / 30.9 x 13.9 x 14.9 cm |
Weight | 9 lb / 4.1 kg |
Package Weight | 14.5 lb |
Box Dimensions (LxWxH) | 19 x 16 x 14" |
Camera Mount | ARRI PL Mount |
Lens Mount | ARRI PL Mount |
Weight | 11.8 oz / 335 g |
Package Weight | 0.8 lb |
Box Dimensions (LxWxH) | 6 x 4.5 x 2.25" |
Accessory Type | Shoulder belt adapter |
Packaged Qty | 2 |
Package Weight | 0.15 lb |
Box Dimensions (LxWxH) | 4 x 1.2 x 0.5" |
Type | Carrying bag |
Recommended Use | For camcorder |
Carrying Strap | Top carry handle |
Additional Compartments | Viewfinder, camcorder adapter |
Service & Support | 2 years |
Package Weight | 5.94 lb |
Box Dimensions (LxWxH) | 29 x 16.5 x 8.5" |
Accessory Type | Mounting bracket |
Intended For | On-camera microphone |
Package Weight | 0.1 lb |
Box Dimensions (LxWxH) | 4.25 x 3.9 x 0.85" |
Connectors | 1 x D-Tap |
Plate Front / Battery Mount | Gold Mount |
Package Weight | 0.4 lb |
Box Dimensions (LxWxH) | 4.4 x 3.1 x 1" |
Interface (Bus) Type | 2 x LBUS |
Supply Voltage | 12-34 V |
Current Consumption | 15 mAh at 24 V |
Material of Construction | Cast magnesium, steel |
Temperature Range | -4 to 122°F (-20 to 50°C) |
Dimensions | 6.8 x 4 x 3.2" (172 x 102 x 81 mm) |
Weight | 14.8 oz (420 g) |
Package Weight | 1.65 lb |
Box Dimensions (LxWxH) | 9.9 x 6.7 x 4.9" |
Interface (Bus) Type | 2 x LBUS |
Supply Voltage | 12-34 V |
Current Consumption | 30 mAh at 24 V |
Material of Construction | Cast magnesium, steel |
Temperature Range | -4 to 122°F (-20 to 50°C) |
Dimensions | 6.8 x 4 x 3.2" (172 x 101 x 81 mm) |
Weight | 13.4 oz (380 g) |
Package Weight | 1.55 lb |
Box Dimensions (LxWxH) | 9.9 x 6.8 x 5.2" |
Material of Construction | Stainless steel |
Dimensions | Overall: 2 x 1.6 x 7.9" / 50 x 40 x 200 mm Length Between Rosettes: 6.3" / 160 mm |
Weight | 6.7 oz / 190 g |
Package Weight | 0.45 lb |
Box Dimensions (LxWxH) | 7.7 x 1.3 x 1.1" |
Accessory Type | Cable clip |
Intended For | 15 mm rod |
Packaged Qty | 2 |
Package Weight | 0.1 lb |
Box Dimensions (LxWxH) | 4.3 x 3 x 0.8" |
Accessory Type | Hand grip extender |
Intended For | Camcorder |
Package Weight | 0.15 lb |
Box Dimensions (LxWxH) | 3.3 x 3.1 x 0.3" |
Adapter Type | 19 to 15mm |
Dimensions and Weight | Not specified by manufacturer |
Package Weight | 0.02 lb |
Box Dimensions (LxWxH) | 5.2 x 4.25 x 0.85" |
Cable Type | Camera control cable |
Length | 2.6 ft |
Recommended Use | Camera |
CONNECTOR | LBUS - angled |
Connector (Second End) | AMIRA EXT - straight |
Package Weight | 0.2 lb |
Box Dimensions (LxWxH) | 8.3 x 6 x 0.5" |
Cable Type | Camera control cable |
Length | 2 ft |
Recommended Use | Camera |
CONNECTOR | LBUS - angled |
Connector (Second End) | LBUS - angled |
Package Weight | 0.15 lb |
Box Dimensions (LxWxH) | 6 x 5.5 x 0.6" |
Dimensions and Weight | Not specified by manufacturer |
Cable Type | Camera control cable |
Length | 2.6 ft |
Recommended Use | Camera |
CONNECTOR | LBUS - angled |
Connector (Second End) | LBUS - straight |
Package Weight | 0.15 lb |
Box Dimensions (LxWxH) | 6.7 x 6 x 0.2" |
Gear | 0.8-mod, 32-pitch, 40-tooth |
Connection | LBUS |
Rod Compatibility | 15, 19 mm |
Package Weight | 0.895 lb |
Box Dimensions (LxWxH) | 10 x 7 x 2.7" |